Sons and Other Flammable Objects

Available
Product Details
Price
$14.00  $13.02
Publisher
Grove Press
Publish Date
Pages
416
Dimensions
5.56 X 8.34 X 1.15 inches | 0.82 pounds
Language
English
Type
Paperback
EAN/UPC
9780802143860

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About the Author

Porochista Khakpour's debut novel Sons and Other Flammable Objects was a New York Times Editor's Choice, one of the Chicago Tribune's Fall's Best, and the 2007 California Book Award winner in the "First Fiction" category. Her second novel The Last Illusion was a 2014 "Best Book of the Year" according to NPR, Kirkus, Buzzfeed, Popmatters, Electric Literature, and many more. Among her many fellowships is a National Endowment for the Arts award. Her nonfiction has appeared in many sections of The New York Times, the Los Angeles Times, Elle, Slate, Salon, and Bookforum, among many others. Currently, she is guest faculty at VCFA and Stonecoast's MFA programs as well as Contributing Editor at The Evergreen Review. Born in Tehran and raised in the Los Angeles area, she lives in New York City's Harlem.

Reviews
"Hypnotic, kaleidoscopic, gorgeous, and mad, this novel is a brilliant and astonishing debut. And the story it tells is the best kind of story--where comedy and tragedy weave together mysteriously and yet organically, like a shifting in the play of light, like life itself."
"Sons and Other Flammable Objects is a marvelous novel: witty, wise, continually surprising, continually inventive, exuberant, heartbreaking. It resists the easy categories of immigrant lit, family saga, first novel--because it is, first and foremost, a delightful, generous work of literary art."
"Like the young Philip Roth, Porochista Khakpour uses lashing, dark humor tinged with deep melancholy to paint a wonderfully twisted portrait of family life. Xerxes Adam, the 'son' of the title, is a protagonist for our times: repulsed by his father and alienated from his motherland, he hides from his origins in the ashes of post-9/11 New York. This is a novel of searing Intelligence."
"Khakpour explores ethnicity, nationalism, and post-9/11 fear--well-worn themes that are far less compelling than the exuberant originality of her style. The characters burst from the page in fiery exchanges, while their chaotic inner lives are conveyed with witty precision . . . Khakpour's comic sense of familial tensions--particularly father-son enmity--is infectious."--The New Yorker