Shirley Jackson: A Rather Haunted Life
Still known to millions primarily as the author of the "The Lottery," Shirley Jackson (1916-1965) has been curiously absent from the mainstream American literary canon. A genius of literary suspense and psychological horror, Jackson plumbed the cultural anxiety of postwar America more deeply than anyone. Now, biographer Ruth Franklin reveals the tumultuous life and inner darkness of the author of such classics as The Haunting of Hill House and We Have Always Lived in the Castle.
Placing Jackson within an American Gothic tradition that stretches back to Hawthorne and Poe, Franklin demonstrates how her unique contribution to this genre came from her focus on "domestic horror." Almost two decades before The Feminine Mystique ignited the women's movement, Jackson' stories and nonfiction chronicles were already exploring the exploitation and the desperate isolation of women, particularly married women, in American society. Franklin's portrait of Jackson gives us "a way of reading Jackson and her work that threads her into the weave of the world of words, as a writer and as a woman, rather than excludes her as an anomaly" (Neil Gaiman).
The increasingly prescient Jackson emerges as a ferociously talented, determined, and prodigiously creative writer in a time when it was unusual for a woman to have both a family and a profession. A mother of four and the wife of the prominent New Yorker critic and academic Stanley Edgar Hyman, Jackson lived a seemingly bucolic life in the New England town of North Bennington, Vermont. Yet, much like her stories, which channeled the occult while exploring the claustrophobia of marriage and motherhood, Jackson's creative ascent was haunted by a darker side. As her career progressed, her marriage became more tenuous, her anxiety mounted, and she became addicted to amphetamines and tranquilizers. In sobering detail, Franklin insightfully examines the effects of Jackson's California upbringing, in the shadow of a hypercritical mother, on her relationship with her husband, juxtaposing Hyman's infidelities, domineering behavior, and professional jealousy with his unerring admiration for Jackson's fiction, which he was convinced was among the most brilliant he had ever encountered.
Based on a wealth of previously undiscovered correspondence and dozens of new interviews, Shirley Jackson--an exploration of astonishing talent shaped by a damaging childhood and turbulent marriage--becomes the definitive biography of a generational avatar and an American literary giant.
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Ruth Franklin is a book critic and frequent contributor to the New Yorker, Harper's, and many other publications. A recipient of a New York Public Library Cullman Fellowship and a Guggenheim Fellowship, she lives in Brooklyn, New York.
Ruth Franklin has written the ideal biography of a figure long and unjustly neglected in the history of twentieth-century American literature. By restoring Shirley Jackson to her proper stature as one of our great writers, Franklin has in a stroke revised the canon.--James Atlas, author of Bellow: A Biography
With her account of an emblematically American literary life, Ruth Franklin reminds us that her subject was far more than the writer of classy ghost stories. On the contrary, Shirley Jackson was the harbinger of profound upheavals both societal and literary. This is a brilliant biography on every level, but it is especially astute on Jackson's ground- and genre-breaking work, which I will now reread immediately.--Tom Bissell, author of Apostle
With this welcome new biography Franklin makes a thoughtful and persuasive case for Jackson as a serious and accomplished literary artist. . . . [Franklin] sees Jackson not as an oddball, one-off writer of horror tales and ghost stories but as someone belonging to the great tradition of Hawthorne, Poe and James, writers preoccupied, as she was, with inner evil in the human soul.--Charles McGrath
Franklin is a conscientious, lucid biographer, and her book is never less than engaging.--Blake Bailey
Ruth Franklin's sympathetic and masterful biography both uncovers Jackson's secret and haunting life and repositions her as a major artist whose fiction so uncannily channeled women's nightmares and contradictions that it is 'nothing less than the secret history of American women of her era.'--Elaine Showalter
Franklin's research is wide and deep, drawing on Jackson's published and unpublished writings including correspondence and diaries, as well as interviews....Franklin has shown the interplay between the life, the work, and the times with real skill and insight, making this fine book a real contribution not only to biography, but to mid-20th-century women's history.--Katherine A. Powers
Masterful...Taut, insightful, and thrilling, in ways that haunt, not quite as ghost story, but as a tale of a woman who strains against the binds of marriage, of domesticity, and suffers for it in a way that is of her time as a 1950s homemaker, and in a way that speaks to what it means to be a writer, an artist, and a woman even now.--Nina MacLaughlin
A Shirley Jackson biography seems especially timely today, even though Jackson, as with many of her stories, remains somewhat mythically timeless....Franklin's is both broader in scope and more measured in its analysis....[A] masterful account.--Jane Hu
Franklin's biography takes us beyond the chilling stories that made Shirley Jackson's name into the dilemmas of a woman writer in the 1950s and '60s, struggling to make a career between the pressures of childcare, domesticity, and her own demons. It's a very modern story, and a terrific read.--Mary Beard, author of SPQR
A perfect marriage of biographer and subject: Ruth Franklin's portrait of Shirley Jackson restores to her rightful place a writer of considerable significance, and draws a rich intellectual portrait of the age.--Claire Messud, author of The Woman Upstairs
A biography that is both historically engaging and pressingly relevant, Ruth Franklin's absorbing book not only feelingly creates a portrait of Shirley Jackson the writer but also provides a stirring sense of what it was like to navigate (and sometimes circumvent) the strictures of American society as a wife, mother, artist, and woman.--Meg Wolitzer, author of The Interestings
Comprehensive...Jackson's lifelong interest in rituals, witchcraft, charms and hexes were, Franklin convincingly maintains, metaphors for exploring power and disempowerment...Franklin situates Jackson's conflicted relationship with coercive postwar US domesticity within the context that would give rise in 1963 to Betty Friedan's attack on 'the feminine mystique'...[A] sympathetic and fair-minded biography.--Sarah Churchwell
Shirley Jackson: A Rather Haunted Life deftly narrates the influences, experiences and reputation of the author of the famously enduring story 'The Lottery.' As a history of the literary culture of the 1940s and '50s, it teases out the daily lives of people who displayed James Joyce's 'Ulysses, ' Wilhelm Reich's 'The Function of the Orgasm' and James George Frazer's 'The Golden Bough' on their coffee tables. And as a chronicle of American life in the Eisenhower era, it reminds us of a time when people with too many books could be considered subversive...Much of Jackson's writing is a weird, rich brew, and Franklin captures its savor.--Seth Lerer
Shirley Jackson: A Rather Haunted Life . . . lifts its subject out of the genre ghetto and makes a convincing case that Jackson was a courageous woman in a male-dominated field whose themes resonate strongly today.--Jeff Baker
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