Shapeshifting bookcover

Shapeshifting

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Description

The fourteen spellbinding stories in Michelle Ross's second collection invite readers into the shadows of social-media perfectionism and the relentless cult of motherhood. A recovering alcoholic navigates the social landscape of a toddler playdate; a mother of two camps out in a van to secure her son's spot at a prestigious kindergarten; a young girl forces her friends to play an elaborate, unwinnable game. With unflinching honesty and vivid, lyric prose, Ross explores the familial ties that bind us together-or, sometimes, tear us apart.

Product Details

PublisherStillhouse Press
Publish DateNovember 02, 2021
Pages232
LanguageEnglish
TypeBook iconPaperback / softback
EAN/UPC9781945233104
Dimensions8.5 X 5.5 X 0.5 inches | 0.7 pounds

About the Author

Michelle Ross is the author of the story collections There's So Much They Haven't Told You (Moon City Press 2017), winner of the 2016 Moon City Press Short Fiction Award and Finalist for the 2017 Foreword INDIES Book of the Year Award for Short Stories, and Shapeshifting, which was selected by judge Danielle Evans as the winner of the Stillhouse Press Short Story Award and is forthcoming in 2021. Her fiction has appeared in Alaska Quarterly Review, Colorado Review, The Common, Epiphany, Electric Literature's Recommended Reading, TriQuarterly, and other venues. Her fiction has been selected for Best Microfictions 2020 and the Wigleaf Top 50 2019, as well as won prizes from Gulf Coast and other journals. She is fiction editor of Atticus Review and was a consulting editor for the 2018 Best Small Fictions anthology. A native of Texas, she received her B.A. from Emory University and her M.F.A and M.A. from Indiana University. She currently lives in Tucson, Arizona, with her husband and son. She works as a science writer.

Reviews

"Shapeshifting suggests that the struggle to know how to love children and how to let them go may feel similar at the pediatrician, in an abandoned laboratory, or trapped in the life you've chosen, but Ross renders those settings and the characters who inhabit them in such vivid detail that each story feels like its own new world."


- Danielle Evans, author of The Office of Historical Corrections



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