shanghai.shanghai.shanghai

(Author)
Available

Product Details

Price
$21.54
Publisher
Redbat Books
Publish Date
Pages
224
Dimensions
6.69 X 9.61 X 0.47 inches | 0.8 pounds
Language
English
Type
Paperback
EAN/UPC
9780989592451
BISAC Categories:

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About the Author

Alex Kuo has lived most of his adult life in Idaho and Washington, with sabbaticals made possible with support from the National Endowment for the Arts, Washington State Arts Commission, Idaho Commission on the Arts, United Nations Artists Program, Rockefeller Foundation, Lingnan Foundation, and Fulbright Program. Cadenzas is his accumulation of more than eighty years of living, listening and writing on several continents and breathing in the cadences of several languages, including three Chinese dialects.

Reviews

Reminiscent of stream-of-conscience writing, shanghai.shanghai.shanghai is intensely rewarding reading. Alex Kuo's shanghai.shanghai.shanghai starts out straight forwardly enough. Ge is an arts writer for an English-language newspaper and a struggling author on the side with a successful restaurateur girlfriend. But the story immediately metamorphoses into something unusual when the text begins fluctuating between various years and various events in recent Chinese-and sometimes American-history. Reminiscent of stream-of-conscience writing, it can be difficult to follow, but also intensely rewarding. To assist the reader, a typeface key is provided in the back of the book indicating who exactly the narrator of the text is at any given moment. For example, Ge's interior monologue is orange (Kingthings Trypewriter 2), his published writings are in green (Lucinda Grande), and additional proffered information-usually historical in context-is presented in sidebars of purple (Arial Narrow.) The author even inserts himself into the story via "author intrusions" in blue (Century Gothic). While the current year appears to be 2014, Ge is also writing in-and the story is perhaps occurring in-1939, 1989, and 2008. Those years align with some tumultuous recent events in China: the Japanese occupation, the student demonstration in Tiananmen Square, and the Beijing Olympics. Memorable characters, both real and fictional-such as "the blind, self-taught barefoot lawyer" who became internationally known several years ago and a pickpocket from South America nicknamed Bogota Man-are intertwined in time and even occupy the same space occasionally. A variety of seemingly random topics-the subject of war, the Peking Man, the 2007 world bridge championship-all collide and are part of the unfolding story swirling around Ge. Definitions for several Chinese words are provided: for example, "he was a despotic ruler-a baojun zhuanzhi zhuyi-running a fascist secret service." One-liners pop up and tickle the funny bone, such as this bon mot about seeing a movie in the theater: "I didn't like the movie; but then I saw it under adverse conditions-in the dark." Kuo, a retired professor of English at Washington State University, is the author of nine previous works. He has also held several teaching fellowships in China. -ROBIN FARRELL EDMUNDS, Foreword Reviews (Winter 2016)