Serfdom, Society, and the Arts in Imperial Russia: The Pleasure and the Power
Description
Serf-era and provincial Russia heralded the spectacular turn in cultural history that began in the 1860s. Examining the role of arts and artists in society's value system, Richard Stites explores this shift in a groundbreaking history of visual and performing arts in the last decades of serfdom. Provincial town and manor house engaged the culture of Moscow and St. Petersburg while thousands of serfs and ex-serfs created or performed. Mikhail Glinka raised Russian music to new levels and Anton Rubinstein struggled to found a conservatory. Long before the itinerants, painters explored town and country in genre scenes of everyday life. Serf actors on loan from their masters brought naturalistic acting from provincial theaters to the imperial stages. Stites's richly detailed book offers new perspectives on the origins of Russia's nineteenth-century artistic prowess.
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About the Author
Richard Stites is Distinguished Professor of International Studies at the School of Foreign Service, Georgetown University.
Reviews
"This book is the latest of Stites's panoramic yet densely detailed studies of Russian culture, and it will undoubtedly prove as invaluable to scholars, students, and general-interest readers as his previous books have done. Russian Studies is blessed to have in Stites an energetic and rigorous cultural historian of both the imperial and Soviet periods. Stites possesses an extraordinary capacity to decipher complex social and institutional formations and thereby to underscore key issues in cultural politics by creating a picture of satisfying specificity. Nobody does it better."-Julie Buckler, Harvard University
"This is a great (genuinely great) book. It is an intellectual event of primary importance, whose significance is by no means confined to Russian studies. I am confident that the book will find a broad and diverse readership, it is enormously important as a historical study; it is truly innovative in its methodology; it offers an incredible wealth of exciting material; and, last but not least, it is written in a vivid language, with remarkable insight, level-headedness, and compassion."--Boris Gasparov, Columbia University, author of "Five Operas and a Symphony: Words of Music in Russian Culture"
"This book is the latest of Stites''s panoramic yet densely detailed studies of Russian culture, and it will undoubtedly prove as invaluable to scholars, students, and general-interest readers as his previous books have done. Russian Studies is blessed to have in Stites an energetic and rigorous cultural historian of both the imperial and Soviet periods. Stites possesses an extraordinary capacity to decipher complex social and institutional formations and thereby to underscore key issues in cultural politics by creating a picture of satisfying specificity. Nobody does it better."--Julie Buckler, Harvard University
"In "Serfdom, Society, and the Arts in Imperial Russia," Richard Stites explores the vast panorama of Russian cultural life before the emancipation of the serfs in 1861. The artistic worlds of metropolitan and provincial Russia are vividly portrayed, and the manifold dimensions of cultural production and consumption are placed within their social and political contexts with consummate skill. Immensely readable and based on complete command of the published and unpublished sources, this book is quite simply a work of breathtaking scholarship which sparkles on every page with insight and erudition. Readers will stand in awe at its formidable scope and compelling narrative, and it will quickly establish itself as the definitive study of pre-emancipation Russian culture. It is yet another monumental achievement from a master historian of Russia."--Murray Frame, University of Dundee