
Description
Poems and photographs collide in this intimate collection, challenging the invisible, indefinable ways mourning takes up residence in a body, both before and after life-altering loss.
In radiant poems--set against the evocative and desperate backdrop of contemporary events, pop culture, and politics--Rachel Eliza Griffiths reckons with her mother's death, aging, authority, art, black womanhood, memory, and the American imagination. The poems take shape in the space where public and private mourning converge, finding there magic and music alongside brutality and trauma. Griffiths braids a moving narrative of identity and its possibilities for rebirth through image and through loss.
A photographer as well as a poet, Griffiths accompanies the fierce rhythm of her verses with a series of ghostly, imaginative self-portraits, blurring the body's internal wilderness with landscapes alive with beauty and terror. The collision of text and imagery offers an associative autobiography, in which narratives of language, absence, and presence are at once saved, revised, and often erased. Seeing the Body dismantles personal and public masks of silence and self-destruction to visualize and celebrate the imperfect freedom of radical self-love.
Product Details
Publisher | W. W. Norton & Company |
Publish Date | June 09, 2020 |
Pages | 144 |
Language | English |
Type | |
EAN/UPC | 9781324005667 |
Dimensions | 8.6 X 6.5 X 0.7 inches | 0.9 pounds |
About the Author
Reviews
Rachel Eliza Griffiths' mother died around the same time as mine. As we both mourned, she sent me incandescent words to comfort me, phrases that read like invocations and felt like salves and balms. Her work has always wowed me with its beauty, depth, and luminosity, and there it was also healing me. Radiantly elegiac, this hybrid work of poetry and photographs is one we all need for living, loving, and letting go.--Edwidge Danticat, author of Everything Inside
These poems are a gift--they remind me that grief can be the ground for transformation. In the midst of Griffiths' loss, a series of metamorphoses occur--like a fairy tale or a myth, the poet transforms into a spider, then a snake, then a hawk, then prey. Then, like a myth, by the end Griffiths' has found her true self--all along we have been in the midst of a song of praise.--Nick Flynn, author of This Is the Night Our House Will Catch Fire
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