'Reinforces the idea that African heavy metal is diverse and a vital platform for exploring and redefining postcolonial identities and expression, as well as resisting authoritarianism, capitalism, and exploitation of African people and resources.'

'This is pioneering work. [...] It is very readable, Banchs is an engaging writer with easy prose and many stories on the ground, entrenched in the scene and practicing what he describes as 'entho-journalism'. He paints vivid pictures of bands struggling with common issues all bands struggle with, boredom, gear issues, promoters, crappy instruments, albeit that the bands in Africa these issues are usually amplified several fold and usually have to contend with much more severe consequences from authorities. [...] Scream for me, Africa! was not only interesting but educational as well. I guess you can't ask for too much more!'

Scream for Me Africa! adds a great deal to the field of metal studies. It emphasises the hard rock and metal scenes in Africa as 'a disruption of the norm', and sheds a light on these scenes as reflections of the countries where they are from. Banchs mixes a wide variety of scholarship with interviews from musicians, producers and fans, utilising images to add to their stories.

Banchs works towards challenging assumptions that Africa is a homogenised mass, highlighting the differences and complexities of each nation discussed. Scream for Me Africa! is an accessible starting point for readers who wish to learn more about heavy metal subcultures in the global south, acting as an introduction to popular music in several African countries.