Scared Violent Like Horses: Poems

Available

Product Details

Price
$16.00  $14.88
Publisher
Milkweed Editions
Publish Date
Pages
104
Dimensions
5.8 X 0.5 X 8.9 inches | 0.4 pounds
Language
English
Type
Paperback
EAN/UPC
9781571315076
BISAC Categories:

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About the Author

John McCarthy is the author of one previous collection, Ghost Country, which was named a Best Poetry Book of 2016 by the Chicago Review of Books. McCarthy is the 2016 winner of The Pinch Literary Award in Poetry, and his work has appeared in Best New Poets 2015, Hayden's Ferry Review, Passages North, Sycamore Review, Zone 3, and in anthologies such as New Poetry from the Midwest 2017. He received an MFA in Creative Writing from Southern Illinois University Carbondale and serves as an editor of RHINO magazine and the Quiddity international literary journal and public radio program.

Reviews

Praise for Scared Violent Like Horses

"McCarthy's book of Midwestern threnodies begins in image and ends in solemnity . . . McCarthy's poems are profluent stories--a joy to marvel at this skill, impressive considering the book's bleak landscape."--The Millions

"McCarthy has whittled out a sense of freedom from the heartache of the past, and the reader is left with a remarkable vision."--Booklist

"In unshowy, plaintive, quietly delivered language that should not be mistaken for affectless--and that can be stabbed through with surprisingly piercing metaphor--McCarthy vivifies a place and hard way of life too little visited." --Library Journal

"Scared Violent Like Horses is the story of a 'lost boy with a quiet ache'--a story about a boy and a young man who grows up amid the landscape of a vast yet specific Midwest filled with switchgrass, scarecrows, dead leaves, dirt, factories, and family and childhood people. It's the people the speaker is really writing about--the speaker's connection and disconnection with those who populate the landscape and the feeling of being different or not fully belonging. John McCarthy's impulse is narrative but this impulse is struck by the lightning of his linguistic powers, as in the poem, 'Switchgrass' 'A mangled cat mats the crankshaft and fan belt, / fur-shredded and soaked.' Unusual images and figurative language are in abundance: 'The cornfield's tassels are wicks burning toward the sky and the fields / are sutured by utility poles marching like a procession of crosses . . .' Ultimately, what the reader is left with is a stunning overlap of lost boy and lost landscape glimpsed through the lens of a gifted poet's magical linguistic and storytelling abilities."--Victoria Chang

"Scared Violent Like Horses is a book that grabs the reader with its insistent lyric beauty. It's a book where its speaker is haunted by the empty violence and despair of a Midwestern landscape full of "smolder and silence." It's a landscape usually underestimated and derided--the "flyover country" of condescending editorials and talk show chatter. But in the hands of this poet, these hardscrabble landscapes, these haunts of hurt and hurting families and friends who show love through their thrown punches--these scenes become so relentlessly beautiful that a reader cannot look away. John McCarthy's poems have had their hold on me for a long time, and I defy anyone who reads this book not to walk away shaken, stirred, and ultimately, utterly changed." --Allison Joseph

"Throbbing with the 'quiet ache' of the flown-over, John McCarthy's extraordinary perception and lingual deftness unveil the grit and humble grandeur of Springfield's north end. Rural Illinois's emotional brutality is rendered raw as we see into and through a young man reaching beyond the debris of a violent and damaged lineage, in search of a gentler, less destructive self."--Matt Rasmussen

"In this devastating, gorgeous collection, John McCarthy opens up '[t]he hurt and mangled parts of us, ' the places in us where we are 'hollering fervent and raw, ' to explore the pain of abandonment and the purity of that loneliness, so that we might understand how trauma breeds desolation. 'How could we not / break the mirror we look at in the morning?' How do we escape the desolation we are? 'I carved my scalp open, ' he writes, 'until I could feel the smoke leaving my body, ' and such viscerally brutal moments in this book remind us that 'there are many different kinds of beauty.' McCarthy is a master of transforming his world into every kind."--Sara Eliza Johnson

Praise for Ghost Country

"A love letter to the Midwest, John McCarthy . . . paints a familiar, blue-collar picture of the Midwest but with a dose of surrealism that enlivens the region and gives it dynamic force in his storytelling." --Chicago Review of Books

"In John McCarthy's arresting debut, the middle of America reveals itself to be a belly full of opportunities and frustrations." --Adrian Matejka

"In these gritty poems, McCarthy exposes a grimmer reality tainted by drugs, alcohol, poverty, and violence. This is a hardscrabble life where time stretches past into the future, back into the past, and all seems predetermined to remain the same. McCarthy's poems pay close attention to a darker middle life, and they do not flinch." --Sandy Longhorn

"In this stunning debut, John McCarthy illuminates this complexity and curiosity of life in so-called 'flyover country.' The poems in Ghost Country move fiercely between violence and love with equal measure and means. This is a book that never stops opening up." --Adam Clay

"The way McCarthy imagines and executes these lyric Midwestern narratives renders the place both familiar and strange, humdrum and ethereal. McCarthy has the craft and vision of someone who's been at this for a very long time." --Chad Simpson

"The poems of Ghost Country are about desperate situations and places we know. Verbal fights in pick-up trucks, a high school homecoming, and an alcoholic preacher all populate this memorable book . . .To borrow some of the author's language, Ghost County throbs with anger. What these poems reveal is the beauty of those things we might find commonplace now. McCarthy shines a spotlight on the familiar and glossed over." --Curbside Books & Records