Scaffolding bookcover

Scaffolding

A Novel
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Description

A Best Book of the Year: Vanity Fair, The Boston Globe, The Week, The New Statesman
A Must-Read: The New Yorker, The New York Times Book Review, The Guardian, Marie Claire, Frieze, Literary Hub, The Millions, BBC, Our Culture, i news

“Sexy, intelligent . . . biting, too.” —Keziah Weir, Vanity Fair

The debut novel by the acclaimed author of
Flâneuse and Art Monsters, Lauren Elkin’s Scaffolding is a story of Paris, desire, love, psychoanalysis, and the turbulent affairs of two couples across time.

Paris, 2019. An apartment in Belleville. Following a miscarriage and a breakdown, Anna, a psychoanalyst, finds herself unable to return to work. Instead, she obsesses over a kitchen renovation and befriends a new neighbor—a younger woman called Clémentine who has just moved into the building and is part of a radical feminist collective.

Paris, 1972. The same apartment in Belleville. Florence and Henry are renovating their kitchen. She is finishing her degree in psychology, dropping into feminist activities, and devotedly attending the groundbreaking, infamous seminars held by the renowned analyst Jacques Lacan. She is hoping to conceive their first child, though Henry isn’t sure he’s ready for fatherhood.

Two couples, fifty years apart, face the challenges of marriage, fidelity, and pregnancy. They inhabit this same small space in separate but similar times—times charged with political upheaval and intellectual controversy. A novel in the key of Éric Rohmer, Lauren Elkin’s Scaffolding is about the way our homes collect and hold our memories and our stories, about the bonds we create and the difficulty of ever fully severing them, about the ways all the people we’ve loved live on in us.

Product Details

PublisherFarrar, Straus and Giroux
Publish DateSeptember 17, 2024
Pages400
LanguageEnglish
TypeBook iconHardback
EAN/UPC9780374615291
Dimensions8.6 X 147.3 X 1.2 inches | 1.0 pounds

About the Author

Lauren Elkin is the author of Art Monsters and Flâneuse, a New York Times Book Review notable book and a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Her essays have appeared in The New York Times, Le Monde, Frieze, and The Times Literary Supplement, among other publications. A native New Yorker, Elkin lived in Paris for twenty years and now resides in London.

Reviews

“Smart and steamy . . . A beguiling puzzle—and a deep intellectual dive.”
—Kendal Weaver, The Associated Press

“As sensual as it is cerebral.”
—Lauren Christensen, The New York Times Book Review (Editors’ Choice)

“Brilliant . . . Will linger long in the reader’s heart and mind.”
—Erica Wagner, Harper’s Bazaar

“Sexy [and] heady.”
—Lauren LeBlanc, The Boston Globe

“[An] intimate story of desire . . . Riveting . . . I’ll be reading this one again and again.”
—Madeline Schultz, Chicago Review of Books

“A subtle, sexy, exquisitely written jewel of a book.”
—Melissa Febos, author of Girlhood

“I found both delight and hope in [Scaffolding] . . . Elegant . . . with just enough experimentation to suit its ideas.”
—Lily Meyer, The Atlantic

“Provocative . . . [An] exploration of domestic, enigmatic love.”
—Rose Courteau, The Washington Post

“A novel of ideas . . . [Elkin] writes beautifully about ennui, literal and metaphorical disorientation, and the love of place.”
—Sarah Moss, The Guardian

“A finely etched debut.”
The New Yorker

“An erudite lust triangle . . . There’s no shortage of excitement.”
—Anthony Cummins, The Guardian

“An unabashedly philosophical novel—one that keeps the reader hooked by the sensuality of its prose . . . An accomplished debut . . . enriched with passion and curiosity.”
—Erica Wagner, Financial Times

“A reading experience not unlike getting lost inside some many-chambered house: just when you think you’ve reached a dead end, there’s another door to open.”
—Rhian Sasseen, Los Angeles Review of Books

“Wonderfully animated . . . The kind of novel that gives you a million ideas and feels somehow both like a painting and like a conversation with a close friend.”
—Catherine Lacey, author of The Möbius Book (on Substack)

“A lush and fascinating look at the people, places and history that haunt us all . . . It is tremendously satisfying to solve the puzzle that Elkin has laid out for us.”
—Laura Hackett, The Times (London)

“Ingenious . . . Profoundly moving . . . A beautifully fluid meditation on what is at stake, and who we become, when we desire.”
—Sophie Mackintosh, author of Cursed Bread

“[Scaffolding] unspools layers of psychic history to ask questions about the nature of desire and the possibility, or not, of intimacy.”
—Lucasta Miller, Times Literary Supplement (London)

“A challenging and satisfying read about the lives we project onto others as much as those we build for ourselves.”
—Catherine Jarvie, Marie Claire

“A book laden with lust and desire, amorous missteps and the ways in which we can often only understand ourselves in relation to the whims and choices of others.”
—Vanessa Peterson, Frieze

“[Elkin] fearlessly probe[s] the darker sides of human nature . . . Irresistible.”
Shelf Awareness

“Stylish . . . A great deal of depth and intelligence to the description . . . Readers will find much to sink their teeth into.”
Publishers Weekly

“Atmospheric and evocative . . . elegant and poised.”
—Alex Preston, The Observer (London)

Scaffolding is . . . remarkable for its combination of intellectual toughness and sensual precision. This investigation into multiple forms of exposure—inhabited by an array of chords and repeats and hauntings—feels urgently contemporary.”
—Adam Thirlwell, author of The Future Future

“My life has been hugely improved by this compulsive, twisting story of psychoanalysis, politics, and the weirdness of inhabitation.”
—Lara Feigel, author of The Group

“I time traveled with Lauren Elkin and found myself in a Parisian apartment, soaking in human stories and palpitating with new discoveries as I turned each page. What a rich, tantalizing narrative defying conventions.”
—Xialolu Guo, author of Radical

“A powerful testament to the idea that what we want might obliterate us, and a fearless reckoning with the equally high stakes of pretending otherwise.”
—Daisy Lafarge, author of Lovebug

“Be warned: this novel will absorb you, disassemble you, and leave you strangely unwilling to put yourself back together again. Read it, reread it, then give it to your friends and teachers, your relatives, and your lovers.”
—Devorah Baum, author of On Marriage

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