Requiem: Poems of the Terezin Ghetto
Paul B. Janeczko
(Author)
Various
(Illustrator)
21,000+ Reviews
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Description
Paul B. Janeczko's stirring collection of poems goes inside the walls of the notorious camp to portray the indomitable spirit of those incarcerated there. Hitler hailed Terezín (Theresienstadt) as a haven for artistic Jews, when in reality the Czech concentration camp was little more than a way station to the gas chambers. In his second book inspired by devastating history, acclaimed poet Paul B. Janeczko gives voice to this heartrending creative community: its dignity, resilience, and commitment to art and music in the face of great brutality. The many memorable characters he conjures include a child who performs in the camp's now famed production of Brundibár, a man who lectures on bedbugs, and a boy known as "Professor," who keeps a notebook hidden in his shoe. Accented with dramatic illustrations by prisoners, found after WW II, Janeczko's spare and powerful poems convey Terezín's tragic legacy on an intimate, profoundly moving scale.
Product Details
Price
$16.99
$15.80
Publisher
Candlewick Press (MA)
Publish Date
August 09, 2011
Pages
112
Dimensions
5.3 X 8.39 X 0.6 inches | 0.48 pounds
Language
English
Type
Hardcover
EAN/UPC
9780763647278
BISAC Categories:
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About the Author
Paul B. Janeczko (1945-2019) was a poet and teacher who edited numerous award-winning poetry anthologies for young people, including A Poke in the I, A Kick in the Head, A Foot in the Mouth, and The Death of the Hat, all of which were illustrated by Chris Raschka; Firefly July, illustrated by Melissa Sweet; and The Proper Way to Meet a Hedgehog and Other How-To Poems, illustrated by Richard Jones. He also wrote Worlds Afire; Requiem: Poems of the Terezín Ghetto; Top Secret: A Handbook of Codes, Ciphers, and Secret Writing; Double Cross: Deception Techniques in War; The Dark Game: True Spy Stories from Invisible Ink to CIA Moles, a finalist for the YALSA Award for Excellence in Nonfiction for Young Adults; and Secret Soldiers: How the U.S. Twenty-Third Special Troops Fooled the Nazis.
Reviews
Nakedly stark accounts of circumstances unimaginable to most people today outside the pages of powerful writing like Janeczko's. Somewhat disturbing imagery makes this book most suitable for mature readers, but its intimate glimpses of life inside the Holocaust will likely rank it among the most worthwhile teen reads for years to come.
--Library Media Connection (starred review) Janeczko draws on factual records to imagine fictional characters, who narrate each poem in this searing collection. The inmates speak in spare, accessible free verse, and the plain words contrast with the enormity of their personal heartbreak, cruelty, and loss. ...Together, the images and the poems capture unforgettable truths
--Booklist The tragedy and inhumanity of the Terezín ghetto come to life in this powerful collection.The vivid poems, all but one written by fictional inmates, their Nazi oppressors, and local residents, reverberate with suffering, fear, resignation, despair, courage, and unspeakable brutality.
--School Library Journal Verses are spare and accessible, filled with crushing historical weight; the first-person approach will make the entries particularly compelling as readers theater or readalouds.
--Bulletin of the Center of Children's Books Grim but forceful poems....Janeczko offers no easy explanations or closure where none can be found, but his powerful collection points to the troubling dual role that the arts played at Terezín--both as a chilling form of propaganda used by Nazis and an undeniable source of respite for their victims.
--Publishers Weekly REQUIEM depicts life in the Czechoslovakian concentration camp from 1941 to its liberation... In thirty-six sparse, free-verse poems, Janeczko uses different characters to tell the same stories... Putting these poems next to each other makes each more powerful.
--VOYA In haunting poems, Janeczko lays bare the strength, hope, and despair of those imprisoned at Terezin during the Holocaust... Readers are filled with a growing sense of sadness and anger; yet the works sing of the humanity and bravery of those who lived and died at Terezin.
--Horn Book Janeczko's poetry makes us feel what should not be forgotten.
--Chicago Tribune
--Library Media Connection (starred review) Janeczko draws on factual records to imagine fictional characters, who narrate each poem in this searing collection. The inmates speak in spare, accessible free verse, and the plain words contrast with the enormity of their personal heartbreak, cruelty, and loss. ...Together, the images and the poems capture unforgettable truths
--Booklist The tragedy and inhumanity of the Terezín ghetto come to life in this powerful collection.The vivid poems, all but one written by fictional inmates, their Nazi oppressors, and local residents, reverberate with suffering, fear, resignation, despair, courage, and unspeakable brutality.
--School Library Journal Verses are spare and accessible, filled with crushing historical weight; the first-person approach will make the entries particularly compelling as readers theater or readalouds.
--Bulletin of the Center of Children's Books Grim but forceful poems....Janeczko offers no easy explanations or closure where none can be found, but his powerful collection points to the troubling dual role that the arts played at Terezín--both as a chilling form of propaganda used by Nazis and an undeniable source of respite for their victims.
--Publishers Weekly REQUIEM depicts life in the Czechoslovakian concentration camp from 1941 to its liberation... In thirty-six sparse, free-verse poems, Janeczko uses different characters to tell the same stories... Putting these poems next to each other makes each more powerful.
--VOYA In haunting poems, Janeczko lays bare the strength, hope, and despair of those imprisoned at Terezin during the Holocaust... Readers are filled with a growing sense of sadness and anger; yet the works sing of the humanity and bravery of those who lived and died at Terezin.
--Horn Book Janeczko's poetry makes us feel what should not be forgotten.
--Chicago Tribune
