Rcr Dream and Nature: Catalonia in Venice (English)

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Product Details
Price
$34.95  $32.50
Publisher
Actar
Publish Date
Pages
144
Dimensions
9.2 X 0.5 X 10.5 inches | 1.8 pounds
Language
English
Type
Paperback
EAN/UPC
9781948765022

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About the Author
Pati Núñez is a journalist, cultural manager, curator and consultant. She is co-director of the Open House Madrid festival and director of the Pati Núñez Agency, a strategy and communication consultancy specializing in architecture, where she has been the recipient of various awards and recognitions. She was co-curator of the exhibition La Herencia de Coderch and she is a producer of art and architecture films. She is the author of the book Recordando a Coderch, selected for the FAD Awards 2017. She regularly collaborates with several media outlets and gives lectures and seminars at a number of international universities (Barcelona, ​​Madrid, London, Antwerp).
Is an architect, university professor, and expert in museography and museology. Graduate studies and DEA (Advanced Studies Diploma) from the PhD program 'Project and Analysis' at the Barcelona School of Architecture - UPC. She is currently an associate professor at the ETSAB and at the UIC. Since 2015, she has been a partner and founding member of the studio 15515 ARCHITECTURE. She has developed architectural projects in Spain, Portugal, Lebanon, the United Kingdom, Ghana and China, among other places. Over the last two years, she has been involved in several training collaborations with the firm RCR, especially.
Reviews
"The book starts with some color photos of a few RCR projects followed by a handful of essays from the curators and some big names in architecture: Glenn Murcutt, Juhani Pallasmaa, Pedro Gadanho and William J. R. Curtis. The longest essay is by Jordi Pigem (none are very long, since the book is English, Spanish, and Catalan), who looks at the cosmology, or "flowing, creative, dynamic and living process," of RCR at La Vila. The last half of the book consists of the "visual episodes" that were suspended in the "hazy environment" at the Biennale." --John Hill, A Daily Dose of Architecture