Randomly Moving Particles bookcover

Randomly Moving Particles

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Description

Randomly Moving Particles is built from two long poems that form its opening and close, connected by three shorter pieces. The title poem, in a kaleidoscope of compelling scenes, engages with subjects that include migration, placement, loss, space exploration, and current British and American politics. It is a clarifying action and reaction between terra and solar system, mundanity and possibility, taking us from the grit of road surfaces to the distant glimpses of satellites. The final poem, "How Do the Dead Walk," combines mythic reach with acute observation of the familiar, in order to address issues of contemporary violence. It is altogether more dreamlike, even in its tangibly military moments, grasping as it does at phantoms and intermediate plains. Andrew Motion's expansive new poetry collection is direct in its emotional appeal and ambitious in its scope, all while retaining the cinematic vision and startling expression that so freshly lit the lines of his last, Essex Clay.

Product Details

PublisherUniversity of Pittsburgh Press
Publish DateMarch 23, 2021
Pages120
LanguageEnglish
TypeBook iconPaperback / softback
EAN/UPC9780822966555
Dimensions8.4 X 5.5 X 0.5 inches | 0.3 pounds
BISAC Categories: Poetry

About the Author

Andrew Motion is professor of creative writing at Royal Holloway and Bedford New College, University of London and was Poet Laureate of Great Britain from 1999 to 2009. He is the author of many works of poetry, fiction, and biography including Keats, which is also available from the University of Chicago Press.

Reviews

Past Praise for Andrew Motion: Motion shows new confidence in formal playfulness, from exploded lyric verses to prose-poem blocks and shorter bursts of more conventional stanzas.-- "Independent"
Past Praise for Andrew Motion: There is an equally journalistic tone to much of Motion's war poetry, a like fascination with the smallest detail, the observed, ordinarily missable, fleeting thing. Many of the poems are 'found, ' repurposed prose and speech; dialogue and utterance stand in for performed, foregrounded craft, and are all the more affecting for their hesitations, stutters, and colloquial slips.-- "Los Angeles Review of Books"
[Andrew Motion] is unhesitating in his reservations about contemporary politics and climate change, but the primacy of his craft in poetry is never in question. 'Here I am corrupt yet become unearthly innocent' this, one of the many aphorisms that populate the volume, ably stands for the open, despairing, tenacious figure of the poet.-- "Library Journal, starred review"
Motion offers an ambitious and engaging inquiry into mortality, politics, and place.-- "Publishers Weekly"

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