Punk, Post Punk, New Wave: Onstage, Backstage, in Your Face, 1978-1991

(Author) (Foreword by)
& 1 more
Backorder (temporarily out of stock)

Product Details

Price
$40.00  $37.20
Publisher
ABRAMS
Publish Date
Pages
240
Dimensions
8.8 X 10.0 X 0.8 inches | 2.9 pounds
Language
English
Type
Hardcover
EAN/UPC
9781419748547

Earn by promoting books

Earn money by sharing your favorite books through our Affiliate program.

Become an affiliate

About the Author

Michael Grecco is an award-winning commercial photographer and film director noted for his iconic celebrity portraits, innovative magazine covers, editorial images, and advertising spreads for NBC/Universal, GE, Pfizer, HBO, Kodak, ABC, IBM, Yahoo!, ESPN, WIRED, TIME, Entertainment Weekly, Esquire, Premier, and more. His distinguished work is regularly featured in prestigious galleries such as Louis Stern, G. Ray Hawkins, Stephen Cohen, and Fahey Klein.

Reviews

"A photographic document of a critical pocket of the American punk scene in all its brash and seedy glory."-- "Kirkus"
"Whether an action shot from the stage wing or a quiet backstage portrait, the photographs provide another perspective on the bands and musicians that defined the energy, chaos, grit and creativity of punk, post-punk and new wave."-- "Cool Hunting"
"...a heavyweight, gorgeously visual tome for the coolest of coffee tables."-- "WickedLocal"
"Acclaimed photographer Michael Grecco brings us back to the chaotic energy of punk rock era in the late 70s to early 90s..."-- "WGBH"
"...like so many great eyes of his time, the punk rock scene of the late 70's and 80's, on both coasts, helped formulate his artistic individualism. Now that heady decade and a half are collected not only in his camera, but in the lavish new coffee table book..."-- "LA Weekly"
"You can feel the intensity in every shot collected..."-- "The Boston Globe"
"In 162 gorgeous color and black-and-white photos, Grecco takes readers back to a vibrant bygone era as his camera captures the performers' raw energy and outrageousness both onstage and off."-- "Newsday"