Ordinary Disasters: How I Stopped Being a Model Minority

Available
4.9/5.0
21,000+ Reviews
Bookshop.org has the highest-rated customer service of any bookstore in the world
Product Details
Price
$27.00  $25.11
Publisher
Pantheon Books
Publish Date
Pages
304
Dimensions
5.6 X 8.5 X 1.4 inches | 0.95 pounds
Language
English
Type
Hardcover
EAN/UPC
9780593316825

Earn by promoting books

Earn money by sharing your favorite books through our Affiliate program.

Become an affiliate
About the Author
Anne Anlin Cheng was born in Taiwan, grew up in the American South, and is the author of three books on American racial politics and aesthetics. Her writing has appeared in The Atlantic, the Los Angeles Review of Books, The New York Times, and The Washington Post. Cheng is the 2023-2024 Ford Scholar in Residence at the Museum of Modern Art in New York. She is a professor of English and a former director of American Studies at Princeton University and lives in Princeton, New Jersey.
Reviews
"From one of our most incisive scholars in race studies, Anne Anlin Cheng has written a memoir that is both astonishingly vulnerable and cutting. . . . I am grateful for Ordinary Disasters which I am confident will become a classic."
--Cathy Park Hong, New York Times bestselling author of Minor Feelings

"[Cheng] gazes into the deep well of the American soul. . . . [An] exhilarating work."
--Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer and A Man of Two Faces

"There is something fearless in the way Anne Anlin Cheng turns a brilliant analytic intelligence on the tender, intimate, ordinary stuff of living--the relation of husband and wife, mother and child, the relation of our daily selves to our mortality--that is very beautiful and a little scary. It's a book that opens up and opens up, goes deeper when you think it has willed and reflected its way to its depths."
--Robert Hass, former Poet Laureate of the U.S.

"Ordinary Disasters is an essay collection that will dazzle, delight, and intrigue its readers. In prose that is as vulnerable as it is exquisite, Anne Anlin Cheng manages to get at the heart of the human experience."
--Emily Bernard, author of Black Is the Body

"Ordinary Disasters is one of those rare books that makes you think, feel, think again, and feel again. Anne Anlin Cheng writes about history and culture with sharp insight, and she writes about personal life with its many private joys and pains with delicacy and intimacy. The book is an elegant and courageous record of not only one individual's story but also a generation's experience and memory."
--Yiyun Li, author of The Book of Goose

"Anne Anlin Cheng, one of the nation's most eloquent scholars of race and gender, has given us a luminous gift in Ordinary Disasters--a coordinated flight of inner stories that wheel and dive through history, pain, love, consciousness, art, childhood, parenthood, the Asian experience in America, the conundrums of time and mortality. A powerful, courageous book, extremely artful, maybe her best."
--Richard Preston, author of Wild Trees and The Hot Zone

"How lucky we are, how blessed, to behold the voice, heart, and mind of the ingenious Anne Anlin Cheng. . . . The complexity of being an Asian American woman . . . takes center stage in this book, as one of the world's foremost thinkers helps us grapple with the contradictions of navigating this beautiful, unbeautiful life."
--Sally Wen Mao, author of Ninetails

"Written in elegant, powerful, and often poetic prose, Ordinary Disasters is an arresting amalgam of radical honesty and deep erudition that pulls no punches about the uncomfortable questions that emerge in our everyday entanglements with gender, racial, and cultural difference. . . . A tour de force."
--Tina Campt, author of A Black Gaze

"Cheng joins a notable coterie of POC writers creating a hybrid genre deftly combining (often scathing) social commentary and intimate memoir. . . . Cheng exhibits an intricate understanding of historical context, identity politics, and cultural theory. . . . Piercing. . . . Resonant."
--Booklist

"A lovely collection. Tenderly written essays form a beautifully intimate memoir."
--Kirkus Reviews