Notes from Underground: Zines and the Politics of Alternative Culture
Stephen Duncombe
(Author)
Description
An engaging and scholastic presentation of zines and modern culture Much history and theory is uncovered here in the first comprehensive study of zine publishing. From their origins in early 20th century science fiction cults, their more proximate roots in 1960s counter-culture and their rapid proliferation in the wake of punk rock, Stephen Duncombe pays full due to the political importance of zines as a vital network of popular culture. He also analyzes how zines measure up to their utopian and escapist outlook in achieving fundamental social change. Packed with extracts and illustrations, he provides a useful overview of the contemporary underground in all its splendor and misery.Product Details
Price
$19.95
$18.55
Publisher
Microcosm Publishing
Publish Date
November 28, 2017
Pages
256
Dimensions
6.0 X 0.8 X 8.9 inches | 0.88 pounds
Language
English
Type
Paperback
EAN/UPC
9781621064848
BISAC Categories:
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About the Author
Stephen Duncombe is an associate professor at New York University's Gallatin School in the department of Media, Culture and Communications and is a lifelong political activist. He is the author and editor of six books including Dream: Re-Imagining Progressive Politics in an Age of Fantasy, Notes From Underground: Zines and the Politics of Underground Culture, The Bobbed Haired Bandit: Crime and Celebrity in 1920s New York, Cultural Resistance Reader, White Riot: Punk Rock and the Politics of Race, and (Open) Utopia. He lives in New York City.
Reviews
"It was punk rock that gave us the current zine explosion, with its emphasis on authenticity, sneering disdain for slickness and consumerism, and determination to forge a community based on these principles...clever and funny...we'll always need the malcontents to show us creative ways to flip the bird to Massa." -High Times
"A timely new critical study...throws some light on the current state of zines and what's at stake. Duncombe, a professor of American Studies and a zine-maker himself, locates zines within a wider bohemian tradition, and maps out both the potential and the limits of their cultural radicalism." -The Atlantic
"Readers are introduced to a remarkably diverse world of zines and their publishers, whose interests run the gamut: crusading for anarchy in our time, or for the revival of the eight-track tape...but for all of these subjects, silly or serious, Dr. Duncombe argues that zines represent a model of participatory cultural production." -Chronicles of Higher Education
"A timely new critical study...throws some light on the current state of zines and what's at stake. Duncombe, a professor of American Studies and a zine-maker himself, locates zines within a wider bohemian tradition, and maps out both the potential and the limits of their cultural radicalism." -The Atlantic
"Readers are introduced to a remarkably diverse world of zines and their publishers, whose interests run the gamut: crusading for anarchy in our time, or for the revival of the eight-track tape...but for all of these subjects, silly or serious, Dr. Duncombe argues that zines represent a model of participatory cultural production." -Chronicles of Higher Education
