Native Voices: Indigenous American Poetry, Craft, and Conversations
Cmarie Fuhrman
(Editor)
Dean Rader
(Editor)
21,000+ Reviews
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Description
"I write from a continuous space of erasure. Poetry was the one way that I was able to hold onto...my history, geography, and language." -- Craig Santos Perez, contributor In this groundbreaking anthology of Indigenous poetry and prose, Native poems, stories, and essays are informed with a knowledge of both what has been lost and what is being restored. It offers a diverse collection of stories told by Indigenous writers about themselves, their histories, and their present. It is a celebration of culture and the possibilities of language.
Featuring forty-four poets, including Ishmael Hope, Bojan Louis, Ruby Murray, Simon Ortiz, Leslie Marmon Silko, Luci Tapahonso, Joy Harjo, dg okpik, Sherwin Bitsui, Heid E. Erdrich, Layli Long Soldier, and Orlando White.
Original influence essays by Diane Glancy on Lorca, Chrystos on Audre Lorde, Louise Erdrich on Elizabeth Bishop, LeAnne Howe on W. D. Snodgrass, Allison Hedge Coke on Delmore Schwartz, Suzanne Rancourt on Ai, and M. L. Smoker on Richard Hugo, among others.
And, a selection of resonant work chosen from previous generations of Native artists.
"There really is no better anthology out there that collects indigenous poets publishing from 1960 to the present." -- Dean Rader, co-editor
Product Details
Price
$32.95
Publisher
Tupelo Press
Publish Date
April 01, 2019
Pages
554
Dimensions
6.0 X 9.0 X 1.23 inches | 1.77 pounds
Language
English
Type
Paperback
EAN/UPC
9781946482181
BISAC Categories:
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Become an affiliateAbout the Author
CMarie Fuhrman is the 2019 recipient of the Grace Paley Fellowship at Under the Volcano in Tepotzlán, Mexico, and winner of the Bank's Award for poetry. A 2019 graduate of the University of Idaho's MFA program, she is the Project Coordinator for Indigenous Knowledge for Effective Education Program (IKEEP). Often anthologized, CMarie's poetry and nonfiction have appeared in Yellow Medicine Review, Cutthroat a Journal of the Arts, Whitefish Review, Broadsided Press's NoDAPL compilation, High Desert Journal, Sustainable Play, Taos Journal of Poetry and Art, among many other venues. She currently serves as Poetry Review Editor for Transmotion Journal. CMarie resides in West Central Idaho.
Dean Rader's Works & Days, won the 2010 T. S. Eliot Prize, and Landscape Portrait Figure Form (Omnidawn, 2014) was a Barnes & Noble Review Best Poetry Book of the Year. He is the editor of 99 Poems for the 99 Percent: An Anthology of Poetry and the winner of the 2015 George Bogin Award from the Poetry Society of America. A new collection, Self-Portrait as Wikipedia Entry, is forthcoming in 2016 from Copper Canyon. Rader writes and reviews regularly for The San Francisco Chronicle, The Rumpus, The Huffington Post, and The Kenyon Review. He is a professor at The University of San Francisco, where he won the university's distinguished research award in 2011. Poems co-written with Simone Munech from the Frankenstein Sonnet series that will appear in SUTURE (Black Lawrence Press, 2017) have appeared or will appear in American Poetry Review, Blackbird, Zyzzyva, Handsome, The Economy, Columbia Poetry Review, New American Writing, DMQ, Dusie, and many others and have been nominated for Pushcart and Best of the Net Awards.