Mourning Diary
Richard Howard
(Translator)
Description
"In the sentence ‘She's no longer suffering,' to what, to whom does ‘she' refer? What does that present tense mean?" —Roland Barthes, from his diary
The day after his mother's death in October 1977, Roland Barthes began a diary of mourning. For nearly two years, the legendary French theorist wrote about a solitude new to him; about the ebb and flow of sadness; about the slow pace of mourning, and life reclaimed through writing. Named a Top 10 Book of 2010 by The New York Times and one of the Best Books of 2010 by Slate and The Times Literary Supplement, Mourning Diary is a major discovery in Roland Barthes's work: a skeleton key to the themes he tackled throughout his life, as well as a unique study of grief—intimate, deeply moving, and universal.
Product Details
| Publisher | Hill and Wang |
| Publish Date | March 13, 2012 |
| Pages | 288 |
| Language | English |
| Type |  Paperback / softback |
| EAN/UPC | 9780374533113 |
| Dimensions | 8.2 X 139.7 X 0.8 mm | 0.6 pounds |
About the Author
Roland Barthes changed the way a generation read. A cultural commentator before his time, his careful if playful analysis of texts revolutionised the way we comprehend cultural products. Both critic and literary essayist, his writings continue to provoke. His best known work includes Mythologies, Camera Lucida, Image-Music-Text, The Empire of Signs, A Lover's Discourse, Writing Degree Zero, S/Z and The Fashion System.
Translated by Andy Stafford, Senior Lecturer in French Studies, University of Leeds and edited by Andy Stafford and Michael Carter, Department of Art History and Theory, University of Sydney.
Roland Barthes (1915-1980) was a major French writer, literary theorist and critic of French culture and society.
Richard Howard teaches in the School of the Arts at Columbia University, USA. He has also translated works by Barthes, Foucault and Todorov.
Reviews
“A revelation to readers of the great Barthes.” —Judith Thurman, The New Yorker podcast
“This book's unvarnished quality is the source of its wrecking cumulative power. Barthes's ironic intellect is here wrapped around his nakedly beating heart.” —Dwight Garner, The New York Times
“Precise and touching memories intersect with spare and at times desperate notes on time, death and grief, written despite ‘the fear of making literature out of it.'” —Julian Barnes, The Times Literary Supplement
“A collection of aphorisms, sadnesses, self-analysis: a journal of savage intimacy.” —Adam Thirlwell, The New Republic
“A beautiful, lapidary portrait of mourning.” —Meghan O'Rourke, Slate
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