Mortimer and the Witches is an unflinching cultural history covering the social ills of nineteenth-century New York through the lives of women who were, at the time, memorialized in mocking print.-- "Foreword Reviews"
Mining the sordid riches of 19th century New York City newspaper reportage and recounting them through a modern lens, Marie Carter tracks down a cadre of women involved in the antebellum clairvoyancy trade and regales her readers with the ways in which they managed to circumvent some of the societal strictures placed on women to gain financial independence at a time when they were truly second-class citizens. Brilliant marketers of themselves and their psychic skills, Carter adroitly describes how these women provided counsel and entertainment to New Yorkers of all stripes, all while crusading reporters and police attempted to shut them down.---Eddy Portnoy, YIVO Institute for Jewish Research
Mortimer and the Witches explores, in fascinating detail, the magical, occasionally criminal, underworld that simmers beneath the surface of so many cities around the world. But Marie Carter's tale of 19th century New York is also an insightful, don't-miss examination of the prevailing suspicion and prejudice against women operating at the margins of society.---Deborah Blum, Pulitzer-prize winning author of Ghost Hunters: William James and the Search for Scientific Proof of Life After Death
Every turn of the page of Mortimer and the Witches brings on that same anticipation of revealing a tarot card and wondering what the storyteller will say. Not only does it fill a gap in our historical understanding of 19th-century sexism and classism, but it's chock-full of facts I could never have predicted. I feel fortunate to have made the acquaintance of Mortimer and these hard-working women of Old New York.---Peggy Gavan, author of The Cat Men of Gotham: Tales of Feline Friendships of Old New York
Using a newspaper reporter's expose of fortune tellers/psychics, Marie Carter gives us a unique look at how sexism played out in the 19th century. While robber barons pillage the country (sound familiar?), the reporter Mortimer Thomson goes after women struggling to get by in a time when they had few options. These women are con artists--some worse than that--but are they criminals or the victims, or both? Carter manages to bring them to life, while also humanizing Mortimer. He's not some cartoon Snidely Whiplash bad guy. Mortimer and the Witches is a gripping mix of the history of discrimination, and our continued failure to focus on the true villains. It's such a fascinating look at a relatively unexamined back-alley struggle for survival, I ate it up.---Stacy Horn, author of Damnation Island: Poor, Sick, Mad & Criminal in 19th-Century New York