
Monastery
Description
The nomadic odyssey of Eduardo Halfon continues as he searches for clues about his identity across Central America and Europe, New York and Jerusalem
In Monastery, Eduardo Halfon's eponymous wanderer travels from Guatemalan cities, villages, coffee plantations, and border towns to a private jazz concert in Harlem, a former German U-Boat base on the French Breton coast, and Israel, where he escapes from his sister's Orthodox Jewish wedding into an erotic adventure with the enigmatic Tamara. His passing encounters are unforgettable; his relationships, problematic. At once a world citizen and a writer who mistrusts the power of language, he is pursued by history's ghosts and unanswerable questions. He is a cartographer of identity on a compelling journey to an uncertain destination. As he draws and redraws his boundaries, he confronts us with the limitations of our own.
Product Details
Publisher | Bellevue Literary Press |
Publish Date | October 14, 2014 |
Pages | 160 |
Language | English |
Type | |
EAN/UPC | 9781934137826 |
Dimensions | 7.4 X 4.9 X 0.5 inches | 0.3 pounds |
About the Author
Eduardo Halfon is the author of The Polish Boxer, Monastery, Mourning, and Canción. He is the recipient of the Guatemalan National Prize in Literature, Roger Caillois Prize, José María de Pereda Prize for the Short Novel, International Latino Book Award, Edward Lewis Wallant Award, and Berman Literature Prize, among other honors. A citizen of Guatemala and Spain, Halfon was born in Guatemala City, attended school in Florida and North Carolina, and has lived in Nebraska, Spain, Paris, and Berlin.
Reviews
Praise for Monastery
Best Translated Book Award Longlist
"A moving, reflective, and humbly resounding work of fiction. . . . As an ambassador of both worldly wonder and sublime storytelling, Eduardo Halfon's Monastery, despite its brevity, is truly a marvel." --Best Translated Book Award Longlist citation
More Praise for Eduardo Halfon's Fiction
"Halfon is a brilliant storyteller." --Daniel Alarcón
"Halfon's prose is as delicate, precise, and ineffable as precocious art, a lighthouse that illuminates everything." --Francisco Goldman
"Elegant." --Marie Claire
"Engrossing." --NBC Latino
"Fantastic." --NPR Alt.Latino
"Deeply accessible, deeply moving." --Los Angeles Times
"Offer[s] surprise and revelation at every turn." --Reader's Digest
"One senses Kafka's ghost, along with Bolaño's, lingering in the shadows. . . . [Halfon's] books, which take on such dark subjects, are so enjoyable to read." --New York Review of Books
"[Halfon's hero] delights in today's risible globalism, but recognizes that what we adopt from elsewhere makes us who we are." --New York Times Book Review
"Extraordinary. . . . Establish[es] an affinity between fiction and autobiography that unsettles generic divisions." --World Literature Today
"Halfon is a master of lithe, haunting semi-autobiographical novels." --Jewish Book Council
"With [Halfon's] slender but deceptively weighty books, which are at once breezy and melancholic, bemused and bitter, he opens up worlds to readers in return." --Kirkus Reviews
"Halfon passionately and lyrically illustrates the significance of the journey and the beauty of true mystery." --Booklist
"[Halfon's narrator] may be the perpetual wanderer, but his meditations are focused and absorbing." --Library Journal
"Halfon gives voice to a lesser-known sector of the Jewish diaspora, reminding us in the process of the ways in which identity is both fluid and immutable." --Publishers Weekly
"Part Jorge Luis Borges, part Sholom Aleichem. . . . Roaming the ashes of the old country, uncovering old horrors, Halfon becomes an archaeologist of atrocity. His work is fiction clothed as memoir. His chronicles are his mourner's Kaddish." --Rumpus
"Robert Bolaño once said: 'The literature of the twenty-first century will belong to (Andrés) Neuman and to a handful of his blood brothers.' Eduardo Halfon is among that number." --NewPages
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