Miraculum Monstrum

"A visionary's warning, a topographical map of the mind, a manual of survival in the face of apocalyptic odds. Kathline Carr's Miraculum Monstrum imagined curatorial chronicle of Tristia Vogel's metamorphosis is devastating--and transcendent."--Jane Denitz Smith, playwright

"Miraculum Monstrum is a remarkably inventive, audacious debut collection that unfolds as poems, stories, fragments, drawings, paintings, mixed media pieces, and quotes to document and illustrate the life of Tristia Vogel, a visual artist who transforms dramatically and traumatically into a bird, and becomes an unintentional prophet. The setting is after a climate disaster; the language is skillful, playful, and sometimes somber. I love the deeply nuanced inquiry and dialogue between visual art and poetry! This book is a unique and brilliant contribution to contemporary dystopic literature."--Jan Conn, author of Tomorrow's Bright White Light

"Kathline Carr's Miraculum Monstrum joins ranks with Gabriel García Márquez's story, "A Very Old Man with Enormous Wings," and Remedios Varo's painting, "Creation of the Birds," among other significant works, in an artistic (oracular) tradition that invokes the artist-figure as bird, art-making as flight. The poetic voice and sheer inventiveness of this book as a response to our current environmental crisis is breathtaking. Its deft word-play tangles like filigree amid the heaviness of sickness. Miraculum Monstrum's architecture, in its interplay of word and image, post-apocalyptic Ovidian myth, documentary fiction, feminist magical realism, taxonomy, and sensuousness, is a tour de force of hybrid poetics."--Shira Dentz

"In Miraculum Monstrum, Kathline Carr chronicles the story of Tristia Vogel, an early twenty-first century painter who suffers a mutation that begins with a bony, featherlike protrusion from her scapula. Her condition defies diagnosis, and eventually brings her to full bird-body transformation, persecution and adoration, disaster and the joy of flight. Carr reaches far down and back into our deepest shared stories, of messianic hopes, apocalyptic-climactic disaster, and body-wracking metamorphosis, to move human imagination itself forward toward its own evolution and possible survival. Readers, like the pilgrims who flock to Tristia, will be 'leveled by a strange kindred impossible beauty' in these pages which piece the story together with poems, pieces of Tristia's art, and all manner of records and responses to the story of her life. Miraculum Monstrum is truly visionary, an act of the imagination of mythic scope."--Diane Gilliam, author of Dreadful Wind & Rain and Kettle Bottom