
Description
This fascinating, informed guide to Handel's Messiah shows how the oratorio's text constitutes a magnificent theological statement in artistic form. Taking the fifty-three sections of the score in sequence, Roger Bullard explains each part of the oratorio text in terms of (1) how the language differs from the King James Version of the Bible or the Book of Common Prayer, (2) what the passage of Scripture meant in its original context and how it contributes to the Christian message, and (3) how the citation fits in the artistic and religious structure of the oratorio as a whole. Bullard's guidebook will help performers and listeners alike to appreciate Handel's choral masterpiece even more.
Product Details
Publisher | William B. Eerdmans Publishing Company |
Publish Date | September 15, 1993 |
Pages | 159 |
Language | English |
Type | |
EAN/UPC | 9780802801258 |
Dimensions | 9.0 X 6.0 X 0.4 inches | 0.6 pounds |
About the Author
Reviews
"All lovers of Messiah will be interested in Roger Bullard's loving and appreciative book. No matter how familiar we are with the music and the text or how deep is our Christian commitment, there is much to learn and rejoice over in Handel's splendid oratorio. I look forward to my next listening to this great work with the added insights and understandings that Bullard's book has given me."
Elizabeth Achtemeier
-- Union Theological Seminary in Virginia
"Thousands listen every year to Handel's great oratorio and never grasp much of the meaning of its libretto, written by Charles Jennens and taken entirely from the Old and New Testaments. In simple but reliable explanations, Bullard illumines the meaning of the libretto's texts in their original biblical context and then shows how Handel has set them to music to form a magnificent theological whole. This book can enhance both musical enjoyment and biblical understanding."
E. Glenn Hinson
-- Baptist Theological Seminary at Richmond
"Lovers of Handel's Messiah will have a feast reading this book. Roger Bullard has not only illuminated that work; he has also made the gospel story vibrant. His scholarly insight into the scriptural background of the oratorio renews my appreciation for both the oratorio and the gospel."
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