Maintenant 18: A Journal of Contemporary Dada Writing and Art

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Product Details
Price
$30.00  $27.90
Publisher
Three Rooms Press
Publish Date
Pages
254
Dimensions
6.69 X 9.61 X 0.71 inches | 1.25 pounds
Language
English
Type
Paperback
EAN/UPC
9781953103482

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About the Author

Peter Carlaftes is a New York City-based author, editor, publisher, and performer. He has written and staged twelve plays, and is the author of five books: A Year on Facebook (humor); Drunkyard Dog and I Fold With the Hand I Was Dealt (poetry); and Triumph for Rent (3 plays) and Teatrophy (3 More Plays). He is co-founder and acquisitions editor of Three Rooms Press (New York), for whom he has edited multiple anthologies including the Have a NYC: New York Short Stories series, the annual Maintenant Dada Art and Writing Journal and Mike Watt: On and Off Bass, a collection of photos and distilled tour diaries from the great punk rock bass player. He lives in Manhattan.


Kat Georges is a New York City-based poet, playwright, performer, publisher, and graphic designer. She has written and staged twelve plays, and is the author of two books: Our Lady of the Hunger and Three Somebodies: Plays about Notorious Dissidents. Her poetry and prose work has appeared in The San Francisco Chronicle, The Outlaw Bible of American Poetry, Have A NYC: New York Stories, Signs of Life: San Francisco Short Stories, and numerous regional and international journals and magazines. In New York since 2003, she has directed numerous Off-Broadway plays, produced more than 300 events, and performed widely. She is co-founder, editor, and artistic director of Three Rooms Press (New York). She lives in Manhattan.


Reviews

"A compilation of leading Dada-influenced artists from around the world." ―TRIBE LA Magazine


"Excellent examples of collage and montage techniques . . . Interesting visual poems." ―Portland Book Review


"Contemporary art and writing ranging from collages and acrylics to new digital art motifs and using computers to create art . . . As always it brings an interesting perspective." ―Manhattan Book Review


"Though people expect Dada to be silly, and sometimes it is here, it is also often political and usually poignant. . . It's quite a smorgasbord for those who are sick and tired of it." ―Seattle Book Review