Made to Explode bookcover

Made to Explode

Poems
4.9/5.0
21,000+ Reviews
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Description

In her fourth collection, acclaimed poet Sandra Beasley interrogates the landscapes of her life in decisive, fearless, and precise poems that fuse intimacy and intensity. She probes memories of growing up in Virginia, in Thomas Jefferson's shadow, where liberal affluence obscured and perpetuated racist aggressions, but where the poet was simultaneously steeped in the cultural traditions of the American South. Her home in Washington, DC, inspires prose poems documenting and critiquing our capital's institutions and monuments.

In these poems, Ruth Bader Ginsberg shows up at the Folger Shakespeare Theatre's show of Kiss Me Kate; Albert Einstein is memorialized on Constitution Avenue, yet was denied clearance for the Manhattan Project; as temperatures cool, a rain of spiders drops from the dome of the Jefferson Memorial. A stirring suite explores Beasley's affiliation with the disability community and her frustration with the ways society codes disability as inferiority.

Quintessentially American and painfully timely, these poems examine legacies of racism and whiteness, the shadow of monuments to a world we are unmaking, and the privileges the poet is working to untangle. Made to Explode boldly reckons with Beasley's roots and seeks out resonance in society writ large.

Product Details

PublisherW. W. Norton & Company
Publish DateFebruary 09, 2021
Pages112
LanguageEnglish
TypeBook iconHardback
EAN/UPC9780393531602
Dimensions8.4 X 5.7 X 0.7 inches | 0.6 pounds
BISAC Categories: Poetry, History, Poetry

About the Author

Sandra Beasley is a recipient of a fellowship from the National Endowment of Arts and the author of three previous poetry collections, including the Barnard Women Poets Prize-winning I Was the Jukebox. She lives in Washington, DC.

Reviews

Made to Explode makes no attempt whatsoever to fight shy of dazzling and rafter-rattling detonation. Here the poet, known for her smooth mastery of craft and lyric, examines a life lived in and around the capital of her fractured and restless country. She aims unerringly at the contradictions of lush, picture-book days in Virginia, and later DC, with its paradoxes, its stern testaments, its stone institutions. In the process, she redefines her own root. There is unwavering insight in these poems. There is tenderness and personal revelation. There is everything we waited for.--Patricia Smith, author of Incendiary Art

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