Lyrics Alley

Product Details
$15.00  $13.95
Grove Press
Publish Date
5.4 X 8.2 X 1.0 inches | 0.8 pounds
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About the Author
Leila Aboulela won the first Caine Prize for African Writing. She is the author of three books: The Translator, a New York Times 100 Notable Book of the Year; Minaret; and a book of short stories, Coloured Lights.

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--Winner of the Scottish Mortgage Investment Trust Book Award for Fiction
--Short-listed for the Commonwealth Writers' Prize (South Asia and Europe)
--Long listed for the Orange Prize for Fiction

"Aboulela's vivid . . . fleet and engrossing narrative . . . [is full of] a generosity of spirit that extends to all her characters."--The New York Times Book Review

"A novel as thoughtful as it is evocative . . . Aboulela writes with precision and depth of feeling."--The Boston Globe

"Beautifully rendered . . . The prose is smooth and clear. . . . As a tale of stricken love between two souls, Lyrics Alley is impressive."--The Guardian

"Leila Aboulela's Lyrics Alley gives us the rich and complex world of a Sudanese patriarch in the 1950s who presides over a household containing two wives, various nieces, two sons--a new world full of modern ambitions and ancient problems. I read it with the delight one has suddenly stumbling on lush and abundant hidden gardens behind foreign city walls, various with its own life and laws, and infinitely satisfying."--Sarah Blake, author of The Postmistress

"[Aboulela's] breakthrough novel . . . Real, compelling, and ultimately moving . . . Highly recommended for readers who enjoy family sagas set against a political backdrop, such as Chinua Achebe's Things Fall Apart and Chimamanda Ngozi Adichie's Half a Yellow Sun."--Library Journal (starred review)

"Rich in detail and generous in spirit toward its complex characters, [Lyrics Alley] showcases Aboulela's talent for connecting political and personal upheaval. [An] elegantly written family epic that brings to mind Naguib Mahfouz's The Cairo Trilogy."--Kirkus Reviews

"Haunting . . . Keeps the reader gripped . . . A tale of powerful feelings and potent words . . . this visceral, epic novel . . . gives fascinating insights into Sudanese society, with different characters embodying the dramatic clash between tradition and modernity. . . . Vividly evoking the alleyways of Sudan, Egypt, and Britain, [Lyrics Alley] also movingly and meticulously traces the hidden pathways of the mind and heart with all its anger, shame, hate and love."--The Telegraph (UK)

"Each scene is rich with period detail . . . Aboulela has the gift of making her readers care about her characters. This she achieves partly by making us privy to their thoughts, and revealing to us all their conflicts, contradictions, petty vanities, hopes, and amnitions. . . . [She] has created a story for all the senses, one to be savored at leisure."--Financial Times

"In beautiful, subtle prose . . . Aboulela explores themes of love, faith, and divided families with a tender restraint."--Marie Claire (UK)

An assured and highly readable portrait of a family in flux and two societies--Sudan and Egypt--on the cusp on momentous changes. . . . Lyrics Alley is an evocative description of the struggle between tradition and modernization, a conflict that is still being fought in present-day Islamic culture.--New Internationalist (3 stars)

"A tender love story; a family saga, and a portrait of 1950s Sudan teetering on the brink of modernity."--The Scotsman

Leila Aboulela writes with tenderness and sensitivity about the hopes of a country on the verge of independence. Through the eyes of the Abuzeid family, we witness the competing claims of the political and the intimate, of modernity and tradition, of duty and individual freedom. The resulting narrative is at once compelling and illuminating, full of the color and cadence of Aboulela's homeland.--Tahmima Anam, author of A Golden Age

"A superb family epic . . . Vivid, beautifully original."--Lesley McDowell, The Herald (Glasgow)

"[A] graceful and elegantly told saga . . . Aboulela writes with a light touch. . . . She uses words to powerful and sometimes surprising effect, language that seems to spring naturally from the very environment she's describing. . . . This beautiful book is a testament to what might have been as well as what might be."--Jane Charteris, Literary Review