Lucia: A Venetian Life in the Age of Napleon

"Di Robilant paints a vivacious picture of the Napoleonic age." --The New Yorker"What an amazing life, what a great story! And it's so deftly told by Lucia's great-great-great-great-grandson, who rummaged through his family's papers and found genuine treasure." --The Washington Post Book World"Fascinating. . . . As with many engaging tales, this one proved elusive and complex-perfect fodder for a historian of di Robilant's imaginative bent." --W Magazine"A rare treat. . . . Filled with the pageantry of the aristocracy and the political intrigue of countries at war. . . . History buffs should add this volume to their list of must-reads." --The Free Lance-Star (Newark)"Lucia in the Age of Napoleon is less a biography than a ghost story; unsettling, exciting, almost unbelievable in its immediacy. Lucia will become as vital a part of Venetian history as Casanova, or Byron himself, or any of the Mocenigo doges who lie entombed in San Giovani e Paulo, 'each face finer & more beautiful than the other', as Effie Ruskin put it, 'even in old age'." --Frances Wilson, Sunday Telegraph"Lucia's life is an inspired choice for a parable of the end of the Venetian republic ... Her letters to her [sister Paolina] paint Napoleon's Europe in all its grand and bloody colours ... Andrea Di Robilant's strengths are in his portraits of Venetians during their city's worst times. He's not afraid to criticise Venice for the feckless policy of unarmed neutrality, the tepid resistance and the gibbering compliance that left her vulnerable to the steel-trap war-machines of France and Austria. Venice's mistake, like Lucia's, was to believe that she was beloved. For Napoleon, Venice was a trinket. As he passed through, he ransacked her art and archives with a sharp eye and a cool heart. To see that process personified in a flawed and fascinating woman makes for a deeply engaging read." --Independent on Sunday"Well-composed . . . the author's meticulous attention to personal detail yields compelling historical character sketches." --Kirkus Reviews