Limbo Beirut
In Hilal Chouman's Limbo Beirut, a gay artist, a struggling novelist, a pregnant woman, a disabled engineering student, a former militia member, and a medical intern all take turns narrating the violent events of May 2008, when Hezbollah militants and Sunni fighters clashed in the streets of Beirut. For most of these young men and women, the Lebanese Civil War (1975-1990) is but a vague recollection, but the brutality of May 2008 serves to reawaken forgotten memories and stir up fears of a revival of sectarian violence. Yet despite these fears, the violence these characters witness helps them to break free from the mundane details of their lives and look at the world anew.
The multiple narrative voices and the dozens of pen-and-ink illustrations that accompany the text allow Chouman to achieve a mesmerizing cinematic quality with this novel that is unique in modern Arabic fiction. Not only will readers appreciate the meaningful exploration of the effects of violence on the psyche, but they will also enjoy discovering how the lives of these characters--almost all of whom are strangers to one another--intersect in surprising ways.
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Hilal Chouman was born in Beirut, Lebanon, in 1982. He studied electronics and communications engineering in Lebanon, France, and the UK. He currently works in digital marketing. Chouman is the author of three novels in Arabic: Stories of Sleep, Napolitana, and Limbo Beirut, which is the first to be translated into English.
Anna Ziajka Stanton is Assistant Professor of Comparative Literature and Arabic Literature at Pennsylvania State University. She received her Ph.D. from the Department of Middle Eastern Studies at the University of Texas at Austin.
Adding to the exemplary richness of Lebanese fiction, Hilal Chouman...opens up the window to the complexity of human behavior and emotions.-- "Wasafiri" (9/3/2018 12:00:00 AM)
The novel exemplifies how this current generation of Lebanese authors and artists, raised during the tail end of the country's civil war and the beginnings of an ongoing reconstruction, have been able to interpret more recent conflicts. These accounts are full of inchoate memories of the last war, and disillusion with any future wars.-- "The National" (8/4/2016 12:00:00 AM)
