Description
After eight years away, Jean Valjean and Cosette, living under new identities attract the attention of their former innkeepers who are seeking money and revenge. With the help of an idealistic young man, the pair attempts to escape unscathed.
Despite their rough origins, Jean Valjean and Cosette have managed to create a peaceful life for themselves. Cosette has grown into a beautiful young woman and catches the eye of Marius. The two of them fall in love but their courtship is interrupted by Cosette's sudden departure. After a brief hiatus, Marius discovers Cosette and Valjean have adopted new names and occupations. They are living as wealthy philanthropists and are being targeted by the innkeepers who recently moved to their city. Once again, they plan to extort Valjean and use Cosette as leverage.
In Les Misérables Volume Three: Marius, Valjean and Cosette are haunted by figures from their troubled past. Meanwhile, Marius is an unexpected ally who plays an integral role in their journey. This is one part of a captivating tale that's been adapted multiple times for stage, television and film. The most notable being the 2012 Oscar-winning production from director, Tom Hooper.
With an eye-catching new cover, and professionally typeset manuscript, this edition of Les Misérables Volume Three: Marius is both modern and readable.
About the Author
Victor Hugo (1802-85) was a French dramatist, novelist, and poet who in 1830 was called "the most powerful mind of the Romantic movement". His early success came in drama, and he used the stage as a platform for his social and political ideas. Hugo published his forceful verse drama Cromwell in 1824. Three years later, he added a provocative preface supporting the claims of Romantic drama as against the French classical tradition and calling for works that combined tragedy and comedy in the free style of Shakespeare. The controversial Hernani, presented at the Comédie-Française in 1830, marked the beginning of a prolific period of playwriting, which was partly inspired by his love for the actress Juliette Drouet. Their affair began in 1833; she eventually left the stage and became his companion until her death in 1883. Hugo's other works included the verse-drama Le Roi s'amuse (1832), which was banned from the French stage but subsequently used by Verdi as the libretto for Rigoletto, and the prose plays Lucrèce Borgia and Marie Tudor (both 1833). The failure of Les Burgraves (1843), together with the advent of realism in the mid 19th century, brought the Romantic experiment to an end. Owing to his opposition to the government, Hugo spent the years from 1851 to 1870 in exile, first in Brussels and then on the Channel Islands of Jersey and Guernsey. During his exile he wrote a few plays and the epic novel Les Misérables (1862), which returned to the stage as a vastly successful musical more than a century later. He returned to Paris after the proclamation of the Third Republic and died in 1885. He was buried in the Panthéon after being driven there, at his own request, in a poor man's hearse.
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