Late Arcade

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Product Details

$16.95  $15.76
New Directions Publishing Corporation
Publish Date
5.2 X 7.9 X 0.6 inches | 0.55 pounds
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About the Author

Nathaniel Mackey was born in Miami, Florida in 1947. He is the author of several books of poetry, fiction, and criticism, and has received many awards for his work, including the National Book Award in poetry for Splay Anthem, the Stephen Henderson Award from the African American Literature and Culture Society, and the Bollingen Prize from the Beinecke Library at Yale University. Mackey is the Reynolds Price Professor of English at Duke University, and edits the literary journal Hambone.


Nathaniel Mackey is a poet of ongoingness involved in a kind of spiritualist or cosmic pursuit.--Edward Hirsch
A poetic lift...wild, free-wheeling spirit...
Exquisite rhythmic lyricism
Singular, ongoing, great American jazz novel.--John Madera
Mackey has now written close to one thousand pages of fiction about music that does not exist....What is so revolutionary about it, still, is the way Mackey makes the pain of this absence into the occasion for renewing a love of language, of redirecting our ears toward the page...[His] handling of history is subtle and immaculate.
Mackey isn't simply playing the part of a poet recounting jazz, he's fully engaged in the creation of its written iteration, his script a study of rhythm, flow, freedom and, yes, discipline, his words as expressive and imaginative as Coltrane's or Coleman's most deviously-conceived notes.--Spencer Grady
Our greatest living epic poet, (...) Mackey's poetry and criticism (...) have reinvented modernism for our time.
A literary adventure of the highest order, a feat of prose and imagination that takes the fiction genre into new territory. Once of the most memorable meetings of prose and jazz in English literature."--Florence Wetzel
A major work of experimental and philosophical ongoing meditation on black cultural production writ large.
Through the treatment of avant-garde jazz as sonically improvised sentences, Nathaniel Mackey's, Late Arcade, exhibits a boundless and complicated metamorphosis in which musicality becomes the very language which attempts to describe it. An eight month series of letters written by N. to a peculiar confidant known as, "The Angel of Dust," relays the appearance of mystical, if not erotically charged, balloons, whose ability to share the subjective experiences of N.'s bandmates results in both performances and identities gaining a greater sense of cosmic locality. Instead of accepting the casual clichés which plague musical writing, Mackey adapts a set of stylistics which are uniquely his own: much like those breaths which are prodigiously pushed out of a tenor, a trumpet, or an oboe, the words read as chaotic, harmonious, suspensions of the spirit which one must hear before they may fully inhabit.--Bennet S. Johnson