Landscape with Sex and Violence bookcover

Landscape with Sex and Violence

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Description

The poems in Landscape with Sex and Violence explore what it means to exist within a rape culture so entrenched that it can't be separated from the physical landscapes in which it enacts itself. Lyrically complex and startling-yet forthright and unflinching- these poems address rape, abortion, sex work, and other subjects frequently omitted from male-dominated literary traditions, without forsaking the pleasures of being embodied, or the value of personal freedom, of moonlight, and of hope. Throughout, the topography and mythology of California, as well as the uses and failures of language itself, are players in what it means to be a woman, a sexual being, and a trauma survivor in contemporary America.



Product Details

PublisherYesYes Books
Publish DateOctober 15, 2017
Pages112
LanguageEnglish
TypeBook iconPaperback / softback
EAN/UPC9781936919550
Dimensions7.8 X 5.9 X 0.5 inches | 0.4 pounds

About the Author

LYNN MELNICK is the author of the poetry collections Refusenik (2022), Landscape with Sex and Violence (2017), and If I Should Say I Have Hope (2012), all with YesYes Books, and the coeditor of Please Excuse This Poem: 100 Poets for the Next Generation (Viking, 2015). I've Had to Think Up a Way to Survive: On Trauma, Persistence, and Dolly Parton is forthcoming from University of Texas Press in 2022.

Reviews

"[A] fierce new collection ... It would be easy to call these poems brave, tough, and angry but fairer to say that Melnick has gone beyond to a cool, critical assessment of moments that define women's lives." Library Journal


"In Landscape with Sex and Violence, Melnick writes in part to show rape culture as unambiguous, to reveal misogyny's normalization as absurd, and to defy those who ask about a victim's 'role in the incident.' But she mines complexity by grounding these poems in the survivor's mental strategies... Melnick represents two related dimensions of rape culture: that it is a constant feature of the world in which one lives, and that it changes the way one sees that world." Boston Review

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