Adrian Tomine] has more ideas in twenty panels than novelists have in a lifetime." --Zadie Smith
After enjoying over six months on the New York Times
Bestseller list and receiving a rave review from the same institution, acclaimed cartoonist Adrian Tomine's Killing and Dying
is now available in paperback, with an updated cover and French flaps. With this work, Tomine (Shortcomings
, Scenes from an Impending Marriage
) reaffirms his place not only as one of the most significant creators of contemporary comics, but as one of the great voices of modern American literature. His gift for capturing emotion and intellect resonates: the weight of love and its absence, the pride and disappointment of family, the anxiety and hopefulness of being alive in the twenty-first century.
"Amber Sweet" shows the disastrous impact of mistaken identity in a hyper-connected world; "A Brief History of the Art Form Known as Hortisculpture" details the invention and destruction of a vital new art form; "Translated, from the Japanese," is a lush, full-color display of storytelling through still images; the title story, Killing and Dying, centers on parenthood, mortality, and stand-up comedy. In six interconnected, darkly funny stories, Tomine forms a quietly moving portrait of contemporary life.
Adrian Tomine is a master of the small gesture, equally deft at signaling emotion via a subtle change of expression or writ large across landscapes illustrated in full color. Killing and Dying
is a fraught, realist masterpiece.
About the Author
Adrian Tomine was born in 1974 in Sacramento, California. He began self-publishing his comic book series Optic Nerve. His comics have been anthologized in publications such as McSweeney's, Best American Comics, and Best American Nonrequired Reading, and his graphic novel Shortcomings was a New York Times Notable Book of the year. Since 1999, Tomine has been a regular contributor to the New Yorker. He lives in Brooklyn with his wife and daughters.
"Pocket epics of romantic, creative and social frustration set in recognizably drab, drably picturesque American landscapes."?New York Times
"[Tomine] is an emotional x-ray machine. All-seeing, all-knowing."?Guardian
"Deft and subtle, with a bittersweet understanding of the tension between aspiration and loss."?Los Angeles Times