Kappa
Description
The Kappa is a creature from Japanese folklore known for dragging unwary toddlers to their deaths in rivers: a scaly, child-sized creature, looking something like a frog, but with a sharp, pointed beak and an oval-shaped saucer on top of its head, which hardens with age.Akutagawa's Kappa is narrated by Patient No. 23, a madman in a lunatic asylum: he recounts how, while out hiking in Kamikochi, he spots a Kappa. He decides to chase it and, like Alice pursuing the White Rabbit, he tumbles down a hole, out of the human world and into the realm of the Kappas. There he is well looked after, in fact almost made a pet of: as a human, he is a novelty. He makes friends and spends his time learning about their world, exploring the seemingly ridiculous ways of the Kappa, but noting many--not always flattering--parallels to Japanese mores regarding morality, legal justice, economics, and sex. Alas, when the patient eventually returns to the human world, he becomes disgusted by humanity and, like Gulliver missing the Houyhnhnms, he begins to pine for his old friends the Kappas, rather as if he has been forced to take leave of Toad of Toad Hall...
Product Details
Price
$13.95
$12.97
Publisher
New Directions Publishing Corporation
Publish Date
June 06, 2023
Pages
96
Dimensions
5.33 X 8.06 X 0.25 inches | 0.23 pounds
Language
English
Type
Paperback
EAN/UPC
9780811232166
BISAC Categories:
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About the Author
Ryunosuke Akutagawa (1892-1927) wrote over a hundred short stories and was considered a major author when he committed suicide at the age of thirty-five (just after finishing Kappa): one of Japan's most prestigious literary awards is named after him. Two of the stories from his collection Rashomon formed the basis of the award-winning film of the same title by Akira Kurosawa.
Lisa Hofmann-Kuroda is a literary translator. Born in Tokyo, raised in Texas, she currently resides in New York City.
Allison Markin Powell has been awarded grants from English PEN and the NEA, and the 2020 PEN America Translation Prize for The Ten Loves of Nishino by Hiromi Kawakami. Her other translations include works by Osamu Dazai, Kanako Nishi, and Fuminori Nakamura. She was the guest editor for the first Japan issue of Words Without Borders, served as cochair of the PEN America Translation Committee, and currently represents the committee on PEN's Board of Trustees. She maintains the database Japanese Literature in English and lives in New York.
Reviews
Kappa is a scathing satire of contemporary Japan...a welcome reintroduction to an important and often-overlooked classic by one of Japan's most important modern writers as it approaches the 100th anniversary of its publication.--Alison Fincher "Asian Review of Books"
Enchanting and sometimes terrifying--a certain restrained sorrow, a certain preference for the visual, a certain lightness of touch, seem to me essentially Japanese. Extravagance and horror are in his work, but never in his style, which is always crystal clear. Perhaps he was inspired by Swift's Yahoos [but] halfway through the story, Akutagawa forgets the satiric conventions: it hardly matters to him that the Kappa, who are water imps, turn into humans who talk about Marx, Darwin, or Nietzsche.--Jorge Luis Borges
One never tires of reading and re-reading his best works... The flow of his language is the best feature of Akutagawa's style. Never stagnant, it moves along like a living thing.--Haruki Murakami
Enchanting and sometimes terrifying--a certain restrained sorrow, a certain preference for the visual, a certain lightness of touch, seem to me essentially Japanese. Extravagance and horror are in his work, but never in his style, which is always crystal clear. Perhaps he was inspired by Swift's Yahoos [but] halfway through the story, Akutagawa forgets the satiric conventions: it hardly matters to him that the Kappa, who are water imps, turn into humans who talk about Marx, Darwin, or Nietzsche.--Jorge Luis Borges
One never tires of reading and re-reading his best works... The flow of his language is the best feature of Akutagawa's style. Never stagnant, it moves along like a living thing.--Haruki Murakami
