When Bianca appears late one night at her brother's house in Santa Ana, she is barely conscious, though not alone. Jubilee, wrapped in a fuzzy pink romper, is buckled into a car seat. Jubilee, who Bianca feeds and clothes and bathes and loves. Jubilee, who Bianca could not leave behind. Jubilee, a doll in her arms.
Told in alternating points of view, Jubilee reveals both the haunting power of our lived experiences and the surreal possibility of the present to heal the past.
The first thread, "Before Jubilee," follows Bianca in her girlhood home on the Mexicali border as she struggles with her high school sweetheart, Gabe, and a secret they've shared since she was fifteen.
The second thread, "With Jubilee," is told from the point of view of her new love, Joshua, who, along with Bianca's family, helps her cope with a mysterious trauma by accepting Jubilee as part of the family. As Joshua's love for Bianca grows, he fears that Jubilee has the power to tear his tiny family apart.
Alternating chapters give readers a unique perspective on Bianca's present and on her relationship with Jubilee as her past life with Gabe comes to a catastrophic end.
Jubilee is at once a darkly suspenseful psychological drama and a luminous reflection on how beauty emerges from even the most traumatic of experiences.
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About the Author
Jennifer Givhan, a National Endowment for the Arts and PEN/Rosenthal Emerging Voices fellow, is a Mexican American writer and activist from the Southwestern desert. She is the author of four full-length poetry collections: Landscape with Headless Mama (2015 Pleiades Editors' Prize), Protection Spell (2016 Miller Williams Poetry Prize Series edited by Billy Collins), Girl with Death Mask (2017 Blue Light Books Prize chosen by Ross Gay), and Rosa's Einstein (Camino Del Sol Poetry Series, 2019). Her honors include the Frost Place Latinx Scholarship, a National Latinx Writers' Conference Scholarship, the Lascaux Review Poetry Prize, Phoebe Journal's Greg Grummer Poetry Prize chosen by Monica Youn, the Pinch Poetry Prize chosen by Ada Limón, and ten Pushcart nominations. Her work has appeared in Best of the Net, Best New Poets, Poetry Daily, Verse Daily, Ploughshares, Poetry, TriQuarterly, Boston Review, AGNI, Crazyhorse, Witness, Southern Humanities Review, Missouri Review, and the Kenyon Review. Givhan holds a master's degree in English from California State University Fullerton and an MFA from Warren Wilson College, and she can be found discussing feminist motherhood at JenniferGivhan.com as well as on Facebook and Twitter @JennGivhan.
"Thought-provoking...Givhan expertly plays her cast of characters against one another, using small, personal moments to create seismic emotional shifts all while slowly unraveling the truth about Bianca's past and Jubilee's place in her life."-- "Booklist"
"I never thought I'd see the Great Mexicali Novel. Jennifer Givhan teaches us new things about borders, including the shadowy borders of the mind. Intense."-- "Luis Alberto Urrea, author of The House of Broken Angels"
"An exquisite story of loss and healing, Jubilee explores the unmatched power of a parent's love as a woman navigates a mysterious trauma manifesting in the belief that a doll is her daughter. This book is at once an engrossing page-turner and an empowering love letter to women--those who know their strength, and those who fight to discover it. Jennifer Givhan is a gorgeous and passionate storyteller whose shimmering lyricism enchants the reader on every page."-- "Megan Collins, author of The Winter Sister and Behind the Red Door"
"With a poet's gift for language and a cinematic eye for the texture of life in the California borderlands, Givhan has created a novel in which the grit of daily existence is inextricably entwined with the power of the mythic. The complex, nuanced characters in Jubilee draw us into a woman's haunted past where trauma may have the capacity to wreck a life, but imagination has the ability to save it. A strikingly original, memorable novel."-- "Sarah Pemberton Strong, author of The Fainting Room"
"A deeply affecting and ultimately uplifting novel. Givhan's beautiful prose vividly renders a Southern California not often seen in literature."-- "Toni Margarita Plummer, author of The Bolero of Andi Rowe"
"[An] intense, artfully woven psychological drama...Givhan rewards readers with an intense, fiery story."-- "Publishers Weekly (starred review)"
"Givhan, who, like her protagonist, is a poet, paints a surrealist canvas with vivid colors, even invoking images from artists such as Frida Kahlo and Remedios Varo. The richness of her language and her eye for nuance animate her depictions of both the bleak exterior landscape of California's Imperial Valley and the bleak interior landscape of Bianca's damaged soul. Through it all, Givhan has forged a compelling tension between psychological drama and romance that makes for a riveting read."-- "BookPage"
"Givhan...paints a surrealist canvas with vivid colors...Through it all, Givhan has forged a compelling tension between psychological drama and romance that makes for a riveting read."-- "BookPage"