With his large, tripod-mounted, hand-made camera, Roma stepped into the center of this community, an obvious but mostly ignored presence. Understandably, many of the menRoma approached to photograph in a formal portrait were not interested, butsurprisingly, many were. After they agreed to be photographed, Roma would offer themen time and the opportunity to show him something of themselves they might nothave the chance to otherwise.

Although originally conceived solely as a portrait project, the more time Romaspent in the Vale of Cashmere, the more the physical beauty of the Vale becameinseparable from the portraits, and many landscape photographs were made to beincluded in the book. In addition to the landscapes, Roma utilized a custom modified miniaturecamera to provide sequential pictures depicting the steady march of themostly solitary men as they cruised the paths and roadways of the Vale. These candidphotographs, which run along the bottom of the pages of landscape photographs, arereproduced in small scale so as to make it impossible to identify any individual.

Roma's motivation for doing the project camefrom his wish to honor the memory of a dear friend who died of AIDS in 1991, andwho introduced him to the Vale of Cashmere.