In Due Season: A Catholic Life
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About the Author
In an exquisite memoir that often reads like a novel, writer Wilkes (In Mysterious Ways: The Death and Life of a Parish Priest) recounts and reflects upon his life as a Catholic. Although his journey includes a decade as a Protestant and ongoing discomfort with certain aspects of Catholicism, Wilkes deftly mines its imagery and its figures, particularly the Trappist monk Thomas Merton, a major and recurring influence. As Wilkes meanders through a life that begins in a working-class Cleveland neighborhood, he candidly relates his passages of sin and saintliness, including a conversion-in-reverse when he gains fame as a writer and an interlude following the end of his first marriage in which he lives among the poor, caring for society's castoffs. Readers will experience his confusion, the "decaying smell of [his] dying soul" and his triumphs as they wonder if the "it" he seeks will find him and whether he will marry again or become a monk. This is fine, engrossing reading for all who appreciate the struggle inherent in the spiritual quest. (Publishers Weekly, January 2009)
"Paul Wilkes has written the first 21st-century Christian classic. His In Due Season: A Catholic Life will rank alongside, not run second to, Thomas Merton's The Seven Storey Mountain. It is its companion volume. ? The bridge between ideals that Wilkes builds with this book carries the American Catholic story from the ghetto, through war, through Vatican II, through the hedonistic 1970s, through a changing church, through the ravages of affluence and easy money, to the questioning of today. ? In Due Season ranks alongside Merton's best because Wilkes absorbed Merton, then moved forward with him, and ultimately beyond him."
--National Catholic Reporter, reviewed by Arthur Jones, published March 6, 2009.
"Paul Wilkes has written an honest and revealing memoir in which nothing is held back....In Due Season excels on many levels. Wilkes is a felicitous writer who can be read for the simple pleasure of connecting with a prose artist."
--The Boston Globe (June 2009)