
How to Leave Hialeah
Jennine Capó Crucet
(Author)Description
Crucet's writing has been shaped by the people and landscapes of South Florida and by the stories of Cuba told by her parents and abuelos. Her own stories are informed by her experiences as a Cuban American woman living within and without her community, ready to leave and ready to return, "ready to mourn everything."
Coming to us from the predominantly Hispanic working-class neighborhoods of Hialeah, the voices of this steamy section of Miami shout out to us from rowdy all-night funerals and kitchens full of plátanos and croquetas and lechón ribs, from domino tables and cigar factories, glitter-purple Buicks and handed-down Mom Rides, private homes of santeras and fights on front lawns. Calling to us from crowded expressways and canals underneath abandoned overpasses shading a city's secrets, these voices are the heart of Miami, and in this award-winning collection Jennine Capó Crucet makes them sing.
Product Details
Publisher | University of Iowa Press |
Publish Date | September 01, 2009 |
Pages | 184 |
Language | English |
Type | |
EAN/UPC | 9781587298165 |
Dimensions | 9.2 X 5.4 X 0.6 inches | 0.7 pounds |
About the Author
Reviews
"This is definitely a young writer to watch for, sassy, smart, with an unerring ear for a community's voices, its losses, its over-the-top telenovela extravagances, and its poignant struggles to understand itself in a new land. I was glad not to have to leave Hialeah right away, but to stay long enough to hear its many stories as told by a gifted writer like Jennine Capó Crucet."--Julia Alvarez, author, How the García Girls Lost Their Accents, In the Time of the Butterflies, and Return to Sender
"What a joy it is to read the work of a writer who has a powerful voice, a sense of humor, and a feeling for local histories. Jennine Capó Crucet's stories start with Cuban American neighborhoods and cultures and then sail off into the direction of the great themes: love, familial bonds, aging, and death. And resurrection. This is a wonderful collection."--Charles Baxter
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