Heartsnatcher bookcover

Heartsnatcher

Boris Vian 

(Author)

Stanley Chapman 

(Translator)

Raymond Queneau 

(Foreword by)
4.9/5.0
21,000+ Reviews
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Description

Set in a bizarre and slightly sinister town where the elderly are auctioned off at an Old Folks Fair, the townspeople assail the priest in hopes of making it rain, and the official town scapegoat bears the shame of the citizens by fishing junk out of the river with his teeth.

Heartsnatcher is both Boris Vian's most playful and most serious work. The main character is Clementine, a mother who punishes her husband for causing her the excruciating pain of giving birth to three babies. As they age, she becomes increasingly obsessed with protecting them, going so far as to build an invisible wall around their property.

Product Details

PublisherDalkey Archive Press
Publish DateOctober 03, 2003
Pages245
LanguageEnglish
TypeBook iconPaperback / softback
EAN/UPC9781564782991
Dimensions8.0 X 5.5 X 0.8 inches | 0.7 pounds
BISAC Categories: Popular Fiction

About the Author

Vian was an engineer, inventor, jazz trumpeter, actor, recording artist, and prolific writer.
Stanley Chapman was a British architect, designer, writer, and translator, most notably of Vian ("Mood Indigo") and Raymond Queneau. He was the founder of Outrapo and a member of Oulipo, the College de 'Pataphysique (of which Vian was also a member), and the Lewis Carroll Society. He died in 2009.
Raymond Queneau (1903-1976) is acknowledged as one of the most influential of modern French writers, having helped determine the shape of twentieth-century French literature, especially in his role with the Oulipo, a group of authors that includes Italo Calvino, Georges Perec, and Harry Mathews, among others.
John Sturrock is a literary journalist, sometime deputy editor of the "Times Literary Supplement," and consulting editor on the "London Review of Books," He has written widely on French literature, and is an accomplished translator.

Reviews

"Vian's prose is surprisingly accessible, and his fascinating take on the strange logic of human cruelty and inconsistency makes this a worthwhile read." -Publishers Weekly

"This, Vian's last novel before his 1959 death, is a work to be reckoned with." --Booklist

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