Hamlet and the Vision of Darkness bookcover

Hamlet and the Vision of Darkness

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Description

Hamlet and the Vision of Darkness is a radical new interpretation of the most famous play in the English language. By exploring Shakespeare's engagements with the humanist traditions of early modern England and Europe, Rhodri Lewis reveals a Hamlet unseen for centuries: an innovative, coherent, and exhilaratingly bleak tragedy in which the governing ideologies of Shakespeare's age are scrupulously upended.

This book establishes that life in Elsinore is measured not by virtue but by the deceptions and grim brutality of the hunt. It also shows that Shakespeare most vividly represents this reality in the character of Hamlet: his habits of thought and speech depend on the cultures of pretence that he affects to disdain, ensuring his alienation from both himself and the world around him.

Lewis recovers a work of far greater magnitude than the tragedy of a young man who cannot make up his mind. He shows that in Hamlet, as in King Lear, Shakespeare confronts his audiences with a universe that received ideas are powerless to illuminate--and where everyone must find their own way through the dark.

A major contribution to Shakespeare studies, this book is required reading for all students of early modern literature, drama, culture, and history.

Product Details

PublisherPrinceton University Press
Publish DateOctober 24, 2017
Pages392
LanguageEnglish
TypeBook iconHardback
EAN/UPC9780691166841
Dimensions9.3 X 6.5 X 1.3 inches | 1.6 pounds

About the Author

Rhodri Lewis is professor of English literature and a fellow of St. Hugh's College at the University of Oxford. He is the author of Language, Mind, and Nature: Artificial Languages in England from Bacon to Locke and William Petty on the Order of Nature.

Reviews

"Hamlet and the Vision of Darkness is an original and valuable addition to the critical field, and compelling reading for those interested in expanding their understanding of the intersection between early modern drama and contemporary moral philosophy."---Anna Hegland, Symbolism
"A major new interpretation of the play."---Vanessa Lim, The Year's Work in English Studies
"A new and startling perspective on a familiar subject. . . . Lewis supports his ground-breaking theories with a critical approach that is both thorough and systematic. . . . His argument certainly convinced this reader."---Bríd Phillips, Parergon
"A striking account . . . fresh and compelling."-- "The Australian Book Review"
"A work of tremendous erudition, channeling a formidable range of classical and humanist texts as well as contemporary criticism into chapters on Hamlet's sustained engagement with early modern discourses of selfhood, hunting, cognitive theory, poetics, and moral and speculative philosophy. With highly original but also extensively documented discussions of nearly every line and textual crux, it has the impact of a variorum."---Heather Hirschfeld, Modern Philology
"Bold and impressive. . . . Lewis deserves the gratitude of scholars for his sensitive close readings and contextualizations of those readings. . . . His book, no doubt, will encourage new debates about issues that were previously thought settled."---Benjamin V. Beier, Moreana
"Extraordinary learning and critical insight. . . . Endlessly productive, exciting, and original."---David Bevington, Renaissance Quarterly
"It is an original take on what must be the most written-about play in literary critical history, and the result is an erudite yet absorbing book that is as refreshingly unwilling to patronize the possibilities of Shakespeare's learning as it is willing to uphold the status of his creative genius."---Joe Jarrett, Journal of British Studies
"It made me look at the play and the character of Hamlet with fresh eyes, and showed me that modern productions of the play ignore or miss a lot of the play's true substance, even though it's right there in the text. Perhaps the main lesson I've learned here when it comes to Hamlet is: Look again - nothing is as it seems."---Pat Reid, Shakespeare Magazine
"Learned and lengthy . . . Lewis's deeply researched monograph repays close attention."---Jonathan Bate, Times Literary Supplement
"Lewis does a great service to Hamlet scholarship. . . . Highly recommended."---Anthony DiMatteo, Choice
"Lewis has written a wonderful book: one that breaks free of the 'many confines, wards and dungeons' of the solely scholarly or academic. It's a volume that all prospective producers of the play should examine assiduously."---Barry Gillard, The Australian
"Lewis uses his book as a broad canvas, tracking Shakespeare's themes and characterizations across a huge number of discursive, visual, and historical examples, not only Ciceronian moral philosophy but also rhetoric and political writing, painting, the early English humanism of Erasmus and More, Philip Sidney, and too many Shakespearean examples to mention."---Henry Turner, Studies in English Literature, 1500-1900
"One of Choice Reviews' Outstanding Academic Titles of 2018"
"Page for page, this book offers more gripping textual insights than any other book on Hamlet since de Grazia's. . . . The close readings are beautiful, interesting, and insightful."---Joshua R. Held, Sixteenth Century Journal
"Rhodri Lewis has taken one of the most studied plays of this and earlier centuries, Shakespeare's Hamlet, and turned on their head many of the grand notions we have all had about Shakespeare. Lewis's ideas are breathtakingly original."---Ian Lipke, Queensland Reviewers Collective
"Rhodri Lewis's absorbing and original Hamlet and the Vision of Darkness is the first major reinterpretation of the play in some time. . . . Lewis's brilliant analysis here gives fresh meaning to long-familiar if half-understood phrases."---James Shapiro, New York Review of Books
"The pleasure of reading this book comes not only from being constantly stimulated by the freshness of ideas and the acuity with which they are generated, and by the connections and associations that Lewis establishes, but also from the author's display of the gift of bridging expansive micro-analysis of the play with compelling macro-analysis of ideas from moral philosophy that underlie the dramatic text."---Goran Stanivukovic, Renaissance and Reformation

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