Ghost: : Seeds: Poems
2024 Mass Book Awards Poetry Longlist
2023 Boston Authors Club Julia Ward Howe Awards Notable Book
Winner of The 2022 X. J. Kennedy Poetry Prize, selected by Kimiko Hahn Set on a remote island on the Maine coast, GHOST:: SEEDS incorporates elements of magical realism and myth to explore and trouble conceptions of gender and identity. The central tension of this book-length poem is a dialogue between a trans speaker and his "ghost," the "girl-ghost" of the self that he left behind to become the man he is today. Putting a queer spin on the myth of Persephone, the girl-ghost speaks from underworld lit by glowworms, cut through by dark rivers, and connected to the world above through a sea cave. Alternating between prose-like elements and lyric meditations, the book's expansive form makes full use of the page from margin to margin, creating space and breathing room for complicated investigations of memory, gender, and grief. ...
From "Remember the first time" Remember the first time we realized
we could choose our own name? The name that would become my name? In college, we played with gender in the theater,
acted as Sebastian in Twelfth Night. One night, after rehearsal, we told our friends, Call me Sebastian, even when I'm not on the stage. Over ten years since we found my name,
I'm still learning myself: I grow my hair long for the first time
since I abandoned you.
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"GHOST:: SEEDS testifies to poetry's ability to make meaning of experience, to render experience into language, and to gather time, space, feelings and thought and give those elements an artful home. Before Sebastian Merrill wrote this remarkable book, we did not have this thrilling lyrical narrative of trans experience braided into myth, in which the orphic poet transits into the underworld to encounter his former self. Here, however, the myth is more than a story; it is a narrative newly arrived in our contemporary context, placed on the rocky shores of Maine, dealt with in a 21st century world of vivid, liberating self-realization. GHOST:: SEEDS is a moving, nuanced, and memorable book, and one of the most exciting debuts I've read in years."
--Mark Wunderlich, author of God of Nothingness
--Mark Wunderlich
"The joy of the body, the dream of the body, the myth of the body, the making. I just love this book in all its embodiments. Can a book of poems see me? It feels like this book does, in the way it marks the history of how many selves one body can hold and how history is the slipperiest part that never leaves us. How do we make peace with what is left behind in the luminous journey to become our deepest truth. What does lineage mean? What is home? In this book the land welcomes and makes a path for the bodily vessel: a kind of pedagogy the earth and the water gives us. I feel so deeply indebted to the joy, grief and, generosity of this formally and psychically rigorous book. How astonishing ordinary life is. And how hard won."
--Gabrielle Calvocoressi, author of Rocket Fantastic
--Gabrielle Calvocoressi
"...a transgender narrative unlike anything that has come before."
--Portland Press Herald--Josh Christie "Portland Press Herald" (8/26/2023 12:00:00 AM)
"I was thoroughly impressed with how giving this book was. [GHOST:: SEEDS]covers a lot of territory of one transgender man's journey, reckoning with the ghost of their past as well as their future self."
--Dmitri Reyes
"[GHOST:: SEEDS] reimagines the story of Persephone in the Underworld. Set on a remote island off the Maine coast, GHOST SEEDS incorporates elements of magical realism and myth. The central tension of the work is a dialogue between a transmasculine speaker and a figure that he conceptualizes as his ghost--the "girl-ghost"--of the self that he left behind to become the person he is today."
--Wellesley Magazine-- "Wellesley Magazine"
"Sebastian Merrill's powerful, elegant debut, GHOST:: SEEDS, offers us the opportunity to share a complicated, beautiful place with the wide, manifold consciousness of a speaker who is many speakers at once. Likewise, the place this book makes is many places at once, reminding us of the teeming hauntedness of our world, the way all places are dense with histories and mythologies. It reminds us that time is thick and fluid, a medium we're always wading through."
--LEON Literary Review