Full-Metal Indigiqueer

Available

Product Details

Price
$18.95  $17.62
Publisher
Talonbooks
Publish Date
Pages
136
Dimensions
5.83 X 8.9 X 0.39 inches | 0.57 pounds
Language
English
Type
Paperback
EAN/UPC
9781772011876

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About the Author

Joshua Whitehead is an Oji-Cree, Two-Spirit storyteller and academic from Peguis First Nation on Treaty 1 territory in Manitoba. He is currently working towards a Ph.D. in Indigenous Literatures and Cultures at the University of Calgary on Treaty 7 territory. In 2016, his poem "mihkokwaniy" won Canada's History Award for Aboriginal Arts and Stories (for writers 19-29) and includes a residency at the Banff Centre. He has been published widely in Canadian literary magazines such as Prairie Fire, EVENT, Arc Poetry Magazine, CV2, Red Rising Magazine, and Geez Magazine's Decolonization issue. He is currently working on a non-fiction, critical manifesto and a young adult novel titled Jonny Appleseed, based on a short story that first appeared in the Malahat Review's January 2017 Indigenous Perspectives issue. You may follow him on Twitter @concrete_poet.

Reviews

"Joshua Whitehead has crafted a radical cyber poetic that breaks the boundaries between paper and screen, between the visual and the written word, and between the past and the future. Full-Metal Indigiqueer is an Indigital queer manifesto that clears the paths ahead."
--Qwo-Li Driskill, author of Walking with Ghosts: Poems


"Both the form and content of the poems throughout Full-Metal Indigiqueer slice through barriers imposed by the conventions of language, to assert a new kind of identity for Whitehead, as the poet struggles and fights against the social, literary, and individual colonizations that he lives with/in. ... Whitehead displays a clear love for the possibilities of written language, despite his misgivings about how it has come to be a part of his life through the colonial process. The creative use of text and language throughout this collection suggests that creative use of language can become a bold way through the traps set up to confine speakers to sanctioned ways of expressing themselves."
--Wes Babcock, Bywords


"A spirited collection [... that] shifts and spins, smashing preconceptions from within and without his immediate vicinity. ... This is an impressive work, and a writer very much worth paying attention to."
--rob mclennan


"One of the most distinctive and original collections of Indigenous poetry ever published ... Several lines in the collection haunt me. They manage to cut through the digital and pop-culture background noise of the collection to emerge as striking and resonant articulations of Indigenous queerness."
--Plentitude Magazine


"These poems do not simply deconstruct language and knowledge; they create an opportunity for readers to create new knowledges, new definitions of self and community, and to 'sing the skin back to [their] bones' ... This collection will be of interest to readers and scholars actively seeking a collection of poetry that forges new modes of understanding and expression and that relentlessly and unapologetically builds towards an Indigenous future. These are poems of affirmation, resilience, and resistance. "
--Francisco Delgado, Transmotion


"Joshua Whitehead is badass, with language like twin-pistols and impeccable aim. If you haven't read this book yet, you need to correct that and give this collection however long it takes for you to read it cover to cover."
--Megan Black, CITR Intimate Reviews


"Joshua Whitehead has crafted a radical cyber poetic that breaks the boundaries between paper and screen, between the visual and the written word, and between the past and the future. Full-Metal Indigiqueer is an Indigital queer manifesto that clears the paths ahead."
-Qwo-Li Driskill, author of Walking with Ghosts: Poems


"Both the form and content of the poems throughout Full-Metal Indigiqueer slice through barriers imposed by the conventions of language, to assert a new kind of identity for Whitehead, as the poet struggles and fights against the social, literary, and individual colonizations that he lives with/in. ... Whitehead displays a clear love for the possibilities of written language, despite his misgivings about how it has come to be a part of his life through the colonial process. The creative use of text and language throughout this collection suggests that creative use of language can become a bold way through the traps set up to confine speakers to sanctioned ways of expressing themselves."
-Wes Babcock, Bywords


"A spirited collection [... that] shifts and spins, smashing preconceptions from within and without his immediate vicinity. ... This is an impressive work, and a writer very much worth paying attention to."
-rob mclennan


"One of the most distinctive and original collections of Indigenous poetry ever published ... Several lines in the collection haunt me. They manage to cut through the digital and pop-culture background noise of the collection to emerge as striking and resonant articulations of Indigenous queerness."
-Plentitude Magazine


"These poems do not simply deconstruct language and knowledge; they create an opportunity for readers to create new knowledges, new definitions of self and community, and to 'sing the skin back to [their] bones' ... This collection will be of interest to readers and scholars actively seeking a collection of poetry that forges new modes of understanding and expression and that relentlessly and unapologetically builds towards an Indigenous future. These are poems of affirmation, resilience, and resistance. "
-Francisco Delgado, Transmotion


"Joshua Whitehead is badass, with language like twin-pistols and impeccable aim. If you haven't read this book yet, you need to correct that and give this collection however long it takes for you to read it cover to cover."
-Megan Black, CITR Intimate Reviews