Fucked and Jolly: Ten Years of the Exponential Festival

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Product Details
Price
$19.80
Publisher
53rd State Press
Publish Date
Pages
200
Dimensions
5.0 X 7.0 X 0.6 inches | 0.4 pounds
Language
English
Type
Paperback
EAN/UPC
9798986581460

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About the Author

Nic Adams is an NYC-based playwright, director, producer, and theatre-maker. His work has been seen in NYC at Judson Memorial Church, Joe's Pub, The Bushwick Starr (with Target Margin), JACK, and The Tank, among others, and by The BEAT Festival, The Performing Garage Presents, and The Exponential Festival, for which he serves as the Producing Director. Residencies and fellowships include the Woodward Residency, Atlantic Center for the Arts, IRT Theater, Theater Reconstruction Ensemble, The In-Between People, and Oregon Shakespeare Festival. His writing has been published online at B O D Y Literature and in print with Avantlanche. Since 2017, he has served as the Producing Director of The Exponential Festival. MFA in playwriting, Brooklyn College '23.

Theresa Buchheister (They/Them) is a Kansan New Yorker and founder and co-director of Title: Point, founder and Artistic Director of The Exponential Festival, and co-founder of Vital Joint. Theresa directs, produces, performs, curates, facilitates and writes for theatre and theatre-adjacent performance realms. Their work has been seen at The Ontological Theater, The New Ohio, Dixon Place, HERE, Housing Works, NACL, The Brick, Silent Barn, Vital Joint, The Parlour, Target Margin's The Doxsee, on rafts, in warehouses, in trucks, in bars. They are also a voice over director, performer, teacher and engineer (current: BoyGirlDogCatMouseCheese, multiple audiobooks and podcasts; past: Pokemon, The Winx Club, World of Winx, How Music Works, Perks of Being a Wallflower, A Young Innovator's Guide to STEM, Arrow of Time, Recursive Cast, etc).

Exponential is a month-long January festival dedicated to New York City-based emerging artists working in experimental performance. The participants in this multi-artist, multi-venue festival are committed to ecstatic creativity in the face of commercialism. Exponential is driven by inclusiveness and a diversity of artists, forms, and ideas coupled with utopian resource-sharing, mentoring and the championing of risky, rigorous work in eclectic fields.

Reviews

Various reviews of the Exponential Festival:

"Beacon of experimental work."--The New York Times

"A banquet for anyone interested in theatrical innovation, transgression, and intellectual riot." --Vulture

"Nothing slows down the juggernaut-of-weird Exponential Festival."--Vulture

"This scrappy, ambitious, multidisciplinary jubilee...celebrates local artists."--The New York Times

"The annual wintertime new-work bonanza."--Greenpointers

"[The Exponential Festival is] everywhere in Brooklyn, and they are doing everything you can imagine."--Helen Shaw

"The bleeding edge of theater."--Gothamist

"The Exponential Fest...as big as Brooklyn itself."--American Theatre Magazine

"The peripatetic Brooklyn-based Exponential Festival seemed to be everywhere, all of the time."--American Theatre Magazine

"The multi-venue series has curated a slate of emerging experimental performers who blur and complicate the boundaries of theater, comedy, visual art, and dance."--Brooklyn Rail

"A wild smorgasbord of eye-popping performance options."--TimeOut New York