
Forty Bouts in the Wilderness
Lana Hechtman Ayers
(Selected by)Description
Product Details
Publisher | Moonpath Press |
Publish Date | January 08, 2025 |
Pages | 110 |
Language | English |
Type | |
EAN/UPC | 9798989948758 |
Dimensions | 9.0 X 6.0 X 0.3 inches | 0.4 pounds |
About the Author
Reviews
Ellis weaves shimmering lines of verse and narrative into an exquisite prosimetrum (reminiscent of travelogue haibun) to examine her own journeys: the pilgrim's search, the outcast's blind wanderings...the complicated, shadow-streaked joy of the prodigal, returned (re-turned) home. These poems cradle grief and exultation, emptiness and abundance, the keen acuities of loss...and received grace. This collection-its quietude and immensity, deftness of language and depths of feeling-is devastating, stunning, incandescent
-Sati Mookherjee, author of Ways of Being
In this searing collection, verse blends with lyrical prose, in a nonce form that includes striking tercets and footnotes to narrate a deeply moving memoir of loss and of grappling with faith. The tender and direct language in Forty Bouts in the Wilderness propels the reader through difficult human experiences and life-long remembering that can expand and transform those experiences. The authenticity of this book sets it apart and makes me want to re-read it. The immaculate imagery embeds it in my memory.
-Eileen Cleary, author of Wild Pack of the Living
With language that is varied and urgent; elegant syntax; and a tone that is both mournful and buoyant, Forty Bouts in the Wilderness is a layered story of loss and redemption. Two consecutive miscarriages and a father's recovery from a stroke are at the heart of its braided and recursive narrative.
-Risa Denenberg, author of Rain/Dweller and
MoonPath Press 2024 Sally Albiso Award judge
Forty Bouts in the Wilderness by Katy E. Ellis embraces grief, disbelief, and acceptance. Reading the first section recalls Infinite Jest where the true narrative takes place in footnotes of objective prose. They counterbalance tense tercets in form and tone, fostering a kind of voiceover effect. In the second section, the poet examines her own piety, language, and guilt, attempting to understand how anyone "[comes] to be in this place, in this body, in this life."
-Allen Braden, author of A Wreath of Down and Drops of Blood
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