
This title will be released on:
Aug 5, 2025
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Description
An intense inner monologue that captures the various manifestations and effects of fear in relation to money or the lack of it.
In this fictional work by author and art historian Isabelle Graw, fear indeed eats the soul of the protagonist as she struggles to survive in a world increasingly defined and divided by money, addressing the situation with psychoanalytic depth. Relatable to anyone who recognizes the stream of anxious thoughts along with feelings of isolation and abandonment, the gripping inner monologue in this latest novel from Graw also offers instances of relief, connecting all who feel equally stuck, frayed, and neurotic, and suggesting a collective route through this crisis-shaken world.
In this fictional work by author and art historian Isabelle Graw, fear indeed eats the soul of the protagonist as she struggles to survive in a world increasingly defined and divided by money, addressing the situation with psychoanalytic depth. Relatable to anyone who recognizes the stream of anxious thoughts along with feelings of isolation and abandonment, the gripping inner monologue in this latest novel from Graw also offers instances of relief, connecting all who feel equally stuck, frayed, and neurotic, and suggesting a collective route through this crisis-shaken world.
Product Details
Publisher | Sternberg Press |
Publish Date | August 05, 2025 |
Pages | 200 |
Language | English |
Type | |
EAN/UPC | 9781915609694 |
Dimensions | 9.0 X 7.0 X 0.0 inches | 0.8 pounds |
About the Author
Isabelle Graw is the publisher of the journal Texte zur Kunst, which she cofounded with Stefan Germer (1958–1998) in 1990, and professor of art history and art theory at the Hochschule für Bildende Künste–Städelschule, Frankfurt am Main. Books published by Sternberg Press include On the Benefits of Friendship (2023), In Another World: Notes, 2014–2017 (2020), The Love of Painting: Genealogy of a Success Medium (2018), and High Price: Art Between the Market and Celebrity Culture (2010).
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