Evidence for Contact: Ken Grimes, 1993-2021
A singularly interstellar journey into the work of a visionary figure in outsider art, featuring an introduction by Seth Shostak, Senior Astronomer at the Search for Extraterrestrial Intelligence (SETI).
The paintings of Ken Grimes are strikingly honest, deceptively simple, and decidedly interstellar. Over several decades, Grimes has developed his singular style--using text, numbers, outer space iconography, and geometric shapes painted primarily in stark black and white--to prompt his audience to consider the possibilities and implications of alien contact with earth. Influenced by the proliferation of sci-fi media in his youth, Grimes has also continued to be moved by popular culture, a motif which intermingles with his interest in outer space in ways both earnest and irreverent. Showcasing art from Grimes's long career, Evidence for Contact catalogs the endless variations on a theme produced by an absolutely unique painter during a lifetime devoted to the mysteries of extraterrestrial life.Earn by promoting books
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Become an affiliateSeth Shostak is an astronomer from Arlington County, Virginia. Having been interested in space and the possibility of extraterrestrial life from a young age, he received degrees in physics and astrophysics at Princeton and California Institute of Technology. Shostak has contributed to four books, has spent a large portion of his career in public outreach and education, and now serves as a senior astronomer at the SETI Institute, the non-profit research institution dedicated to the study and understanding of life in the universe.
"Evidence for Contact documents Grimes' never-ending exploration for their existence. Creating his personal mythology using references taken from astronomy, science-fiction iconography and pop culture, Grimes seeks hidden messages to decode how life on our planet is influenced and shaped by such visitors." - PRINT Mag, 2023
"Evidence for Contact moves briskly through Grimes's voluminous output of 21st-century work. A few themes emerge: grids, which he fills with black gesso for landscapes that recall a crossword puzzle's prompt for answers, the fiddly formations of Tetris, and early digital animation; binary code, whose zeroes and ones form both ominous data fields and friendly living figures; and an interest in portraiture that appears less about capturing some "truth" of the subject and more about amassing a community of fellow travelers. Asserting the presence of believers in his paintings is also urgent." - Surface Mag, 2023