Epiphany of a Middle-Aged Pilgrim: essays in lieu of a memoir

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Product Details
Price
$18.00
Publisher
Pelekinesis
Publish Date
Pages
286
Dimensions
5.5 X 8.5 X 0.64 inches | 0.81 pounds
Language
English
Type
Paperback
EAN/UPC
9781949790474

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About the Author
Peter Wortsman is the author of two stage plays, Burning Words, premiered in 2006 by the Hampshire Shakespeare Company, at the Northampton Center for the Arts, in Northampton, Mass., and in 2014 in German translation by the ensemble of the Kulturhaus Osterfeld, in Pforzheim, Germany; and The Tattooed Man Tells All, premiered by the Silverthorne Theater in Greenfield, Mass., in 2018. He is also the author of two books of short fiction, A Modern Way To Die (1991) and Footprints in Wet Cement (2017); a travel memoir, Ghost Dance in Berlin, A Rhapsody in Gray (2013); a novel, Cold Earth Wanderers (2014); and a work of nonfiction, The Caring Heirs of Dr. Samuel Bard, forthcoming in 2019. His critically acclaimed translations from German into English, include Posthumous Papers of a Living Author, by Robert Musil, now in its third edition (1988, 2005, 2009); Telegrams of the Soul: Selected Prose of Peter Altenberg (2005); Selected Prose of Heinrich von Kleist (2010); Selected Tales of the Brothers Grimm (2013); Tales of the German Imagination, From the Brothers Grimm to Ingeborg Bachmann (2013), an anthology which he also edited and annotated; and Konundrum, and Selected Prose of Franz Kafka (2016). Recipient of a 2014 Independent Publishers Book Award (IPPY), he was a fellow of the Fulbright Foundation (1973), the Thomas J. Watson Foundation (1974), and a Holtzbrinck Fellow at the American Academy in Berlin (2010).
Reviews

Peter Wortsman's "essays"-which range from short aphoristic pieces, to personal confessions, to travelogues, to delicious anecdotes about persons and places-are consistently witty, delightful, and often, as in the case of "New Orleans Reveries," superb social and cultural commentary. From "Café Culture in Vienna" to an hilarious piece on the Williamstown Theatre Festival where the author meets one of his idols, Tennessee Williams, Wortsman is a superb guide to contemporary pleasures and follies, whether in the U.S. or around the globe. And his eye for detail is extraordinary. You will enjoy every page of this unique collection!

-Marjorie Perloff, author of Infrathin: An Experiment In Micropoetics


Our middle-aged and memorable Marco Polo, Peter Wortsman, keeps a drove of drowsy emperors awake with these miraculous micro attempts, dreams caught in a bottle, bringing a menagerie of " 'ems" back alive. In Epiphany of a Middle-Aged Pilgrim one steps right up-here are memories and the maps of memory's mechanisms, the mean means of remembering. These essays are Wortsman's Invisible Cities made starkly visible, and, before our eyes, the mundane metropolises of aging become strange once more, a finely defined defamiliarizations wakes us, like that, from our decadent napping.

-Michael Martone, author of The Complete Writing of Art Smith, The Bird Boy of Fort Wayne, edited by Michael Martone and The Moon Over Wapakoneta