Enter Ghost

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Product Details
$28.00  $26.04
Grove Press
Publish Date
6.3 X 9.1 X 1.2 inches | 1.1 pounds
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About the Author
Isabella Hammad was born in London. Her writing has appeared in the Paris Review, the New York Times, Conjunctions, and elsewhere. She was awarded the 2018 Plimpton Prize for Fiction and a 2019 O. Henry Prize. Her first novel The Parisian (2019) won a Palestine Book Award, the Sue Kaufman Prize from the American Academy of Arts and Letters, and a Betty Trask Award from the Society of Authors in the UK. She was a National Book Foundation 5 Under 35 Honoree, and has received literary fellowships from MacDowell, the Rockefeller Foundation, the Lannan Foundation, and the Columbia University Institute for Ideas and Imagination.
Praise for Enter Ghost"[A] soul-stirring and dramatic tale of a Palestinian family's exile and reconciliation. . . . The layered text, rich in languages and literary references, dives deep into Sonia's consciousness, illustrating her hopes for what art can accomplish. This deeply human work will stay with readers."--Publishers Weekly (starred review)"Hammad's characters contend with displacement, ancestral home, authenticity, and the shimmering possibility of finding yourself in unlikely places. Sisterhood, soul-searching, and Shakespeare--what more could you ask for?" -- Literary Hub, Most Anticipated Books of 2023"Enter Ghost is a masterful, deeply convincing portrait of the all-too-real consequences of political theater--in both senses. A moving and important novel that presses upon the urgent question of how we ought to live in the midst of the rubble (and ongoing chaos) of political crisis." -- Namwali Serpell, author of The Furrows"There is so much to be said about this book: beautifully written, poignant yet forceful, thoughtful and thought provoking, but above all challenging, challenging the reader to respond to the question facing the characters in the novel: how to live under occupation while preserving your dignity and humanity? Hammad answers this question through taking us into the hearts and minds of the characters in the novel and through that into the heart and mind of Palestine." -- Azar Nafisi, author of Reading Lolita in Tehran

''Outstanding. Next-level. Aesthetically, intellectually, emotionally and culturally satisfying. It is astonishing but true that Isabella Hammad is incapable of striking a false note. She immerses her heroine in volatile territory with the accuracy, compassion and coolness of a surgical knife sliding into a diseased body. The result is a stunning beauty - an eye-opening, uplifting novel that grants its vulnerable cast and their endeavors a rare and graceful dignity.'' -- Leila Aboulela, author of River Spirit

Praise for The Parisian

"Dazzling... A deeply imagined historical novel with none of the usual cobwebs of the genre... The Parisian has an up-close immediacy and stylistic panache... that are all the more impressive coming from a London-born writer still in her 20s... Exquisite."--New York Times Book Review

"Assured and captivating... Ms. Hammad's acute evocation of place and personality ensures that we are never lost... This agile writer sets us firmly in place, fixing our attention on intersecting lives."--Wall Street Journal

"Hammad is a natural storyteller... The Parisian teems with riches - love, war, betrayal and madness - and marks the arrival of a bright new talent."--Guardian"Stunning...a lush rendering of Palestinian life a century ago under the British mandate and a sumptuous epic about the enduring nature of love."Vogue"Epic... Because the book takes place in the complicated time and spaces that it does, the narrative grapples with sociopolitical concerns as well as it does the intimate, human ones. It sweeps you along."--Vanity Fair"Lavish, leisurely and immersive."--Economist"Hammad is a writer of startling talent."―Observer"Hammad uses the features of historical novels to cut through the familiar dichotomies of West and Near East, placing her protagonist in a rich web of families, political intrigues, and cultural exchanges, and subtly reconfiguring the literary tropes of 'home' and 'abroad.'"--New Yorker