Eden's Clock bookcover

Eden's Clock

This title will be released on

calendar iconJuly 1, 2025

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Description

A disabled Civil War veteran makes an epic, westward journey toward a fateful encounter with author Jack London, only hours before the 1906 San Francisco earthquake

Rendered mute at the Battle of Gettysburg, Frederick Heigold returns to Dobbs Ferry, New York, where he marries a resolute suffragist and resumes his vocation as a clocksmith. Bereft after she dies in a freak accident, he accepts a commission to repair the enormous clock on the San Francisco Embarcadero, but the routine railway journey becomes a six-month odyssey. Finally reaching the Pacific, after having survived imprisonment, shipwreck on Edisto Island, and run-ins with assorted roughnecks and thieves, he happens upon novelist Jack London drinking in the Palace Hotel bar—just before the deadliest natural disaster in United States history.

Eden’s Clock, the twelfth and final stand-alone book in The American Novels series, calls into question the American belief in individualism to shape our destiny when confronted with irrepressible, chaotic forces.

Product Details

PublisherBellevue Literary Press
Publish DateJuly 01, 2025
LanguageEnglish
TypeBook iconDigital download and online
EAN/UPC9781954276390

About the Author

Norman Lock is the award-winning author of the dozen volumes in The American Novels series, as well as other novels, short fiction, poetry, and stage and radio plays. He has won The Dactyl Foundation Literary Fiction Award, The Paris Review Aga Khan Prize for Fiction, and has been longlisted twice for the Joyce Carol Oates Prize. He has also received writing fellowships from the New Jersey State Council on the Arts, the Pennsylvania Council on the Arts, and the National Endowment for the Arts. He lives in Aberdeen, New Jersey.

Reviews

Select Praise for Norman Lock’s The American Novels Series

“Norman Lock has created a memorable portrait gallery of American subjects, in a succession of audaciously imagined, wonderfully original, and beautifully written novels unlike anything in our literature.” —Joyce Carol Oates

“Shimmers with glorious language, fluid rhythms, and complex insights.” —Jane Ciabattari, NPR

“Our national history and literature are Norman Lock’s playground in his dazzling series, The American Novels. . . . [His] supple, elegantly plain-spoken prose captures the generosity of the American spirit in addition to its moral failures, and his passionate engagement with our literary heritage evinces pride in its unique character.” —Wendy Smith, Washington Post

“This is fiction of a high caliber. . . on the cutting edge of history, providing us with a way to grapple with our evolving sense of the past, as we wonder what is next.” —Carl Rollyson, New York Sun

On The Boy in His Winter

“[Lock] is one of the most interesting writers out there. This time, he re-imagines Huck Finn’s journeys, transporting the iconic character deep into America’s past—and future.” —Reader’s Digest

On American Meteor

“[Walt Whitman] hovers over [American Meteor], just as Mark Twain’s spirit pervaded The Boy in His Winter. . . . Like all Mr. Lock’s books, this is an ambitious work, where ideas crowd together on the page like desperate men on a battlefield.” —Wall Street Journal

On The Port-Wine Stain

“Lock’s novel engages not merely with [Edgar Allan Poe and Thomas Dent Mütter] but with decadent fin de siècle art and modernist literature that raised philosophical and moral questions about the metaphysical relations among art, science and human consciousness. The reader is just as spellbound by Lock’s story as [his novel’s narrator] is by Poe’s. . . . Echoes of Wilde’s The Picture of Dorian Gray and Freud’s theory of the uncanny abound in this mesmerizingly twisted, richly layered homage to a pioneer of American Gothic fiction.” —New York Times Book Review

On A Fugitive in Walden Woods

A Fugitive in Walden Woods manages that special magic of making Thoreau’s time in Walden Woods seem fresh and surprising and necessary right now. . . . This is a patient and perceptive novel, a pleasure to read even as it grapples with issues that affect the United States to this day.” —Victor LaValle, author of Lone Women

On The Wreckage of Eden

“The lively passages of Emily [Dickinson]’s letters are so evocative of her poetry that it becomes easy to see why Robert finds her so captivating. The book also expands and deepens themes of moral hypocrisy around racism and slavery. . . . Lyrically written but unafraid of the ugliness of the time, Lock’s thought-provoking series continues to impress.” —Publishers Weekly

On Feast Day of the Cannibals

“Lock does not merely imitate 19th-century prose; he makes it his own, with verbal flourishes worthy of Melville.” —Gay & Lesbian Review

On American Follies

Ragtime in a fever dream. . . . When you mix 19th-century racists, feminists, misogynists, freaks, and a flim-flam man, the spectacle that results might bear resemblance to the contemporary United States.” —Library Journal (starred review)

On Tooth of the Covenant

“Splendid. . . . Lock masters the interplay between nineteenth-century Hawthorne and his fictional surrogate, Isaac, as he travels through Puritan New England. The historical details are immersive and meticulous.” —Foreword Reviews (starred review)

On Voices in the Dead House

“Gripping. . . . The legacy of John Brown looms over both Alcott and Whitman [in] a haunting novel that offers candid portraits of literary legends.” —Kirkus Reviews (starred review)

On The Ice Harp

“Lock deftly takes us into the polyphonic swirl of Emerson’s mind at the end of his life, inviting us to meet the man anew even as the philosopher fights to stop forgetting himself. . . . [A] remarkably empathetic and deeply moral novel.” —Matt Bell, author of Appleseed

On The Caricaturist

“Lock successfully mimics Crane’s impressionistic style in his marvelous depictions of late 19th-century America.” —Publishers Weekly

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