Duke Ellington's America

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Product Details

Price
$27.00
Publisher
University of Chicago Press
Publish Date
Pages
704
Dimensions
6.0 X 8.9 X 1.6 inches | 2.25 pounds
Language
English
Type
Paperback
EAN/UPC
9780226112640

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About the Author

Harvey G. Cohen, a cultural historian, is associate professor of cultural and creative industries at King's College London.

Reviews

"Harvey Cohen is the first scholar to make extensive use of the Ellington papers in the Smithsonian Institution, and Duke Ellington's America is the most detailed and probing examination of Ellington's later career. It offers sensitive coverage of all of Ellington's albums and major compositions, particularly after 1960, while virtually every other book on Ellington skirts over or neglects certain productions. Unlike almost all his predecessors, Cohen has produced a book that does justice to the complexity and importance of Duke Ellington's life."

--Burton Peretti, author of Lift Every Voice: The History of African American Musi

"Cohen adds to the dozens of books about jazz great Duke Ellington with a new approach.. . . Cohen delivers a social history that firmly places the bandleader within his time. The author first describes the racial mores of Washington, DC, at the turn of the last century that shaped the young Ellington and attributes Ellington's success during the 1930s to the marketing campaign of manager Irving Mills, who branded him as a suave, elegant genius who could appeal to black and white audiences. Cohen covers Ellington's postwar challenges, his return to fame, his State Department tours, the 'sacred concerts, ' and his death in May 1974. Along the way, he focuses on changes in the record industry and music technology and the progress in civil rights. . . . Cohen offers a fascinating, exhaustively researched social history of Duke Ellington's world. Highly recommended for general readers and jazz aficionados alike."

--Burton Peretti, author of Lift Every Voice: The History of African American Musi "Library Journal"
"Cohen's volume. . . . is substantial, richly sourced, intelligent, and, in many ways, persuasive. And unlike many other writers on Ellington, Cohen gives proper attention to all phases of Ellington's career, and in so doing unveils information that is new or has been overlooked. . . . This is an important work and one that Ellington scholarship will benefit from and draw on for new debates."--Burton Peretti, author of Lift Every Voice: The History of African American Musi "Times Higher Education"
"Duke Ellington's America attempts to get under the skin of this apparently most imperturbable of men, and the results, if hardly conclusive, are fascinating. . . . Extremely intelligent and formidably documented book--a welcome change from much that has been published about Ellington."--Claudia Roth Pierpont, New Yorker--Burton Peretti, author of Lift Every Voice: The History of African American Musi "New Yorker"

"Taking full advantage of [the Smithsonian Institution's] Ellington Archive, Harvey G. Cohen's new book illuminates Ellington's career as never before, and also helps to deepen our understanding of larger trends and issues in American politics and culture. No previous book on Ellington has followed the money so rigorously, laying bare the interworkings of art and capital. Neither biography nor musical analysis, Duke Ellington's America is a social history of Ellington's career, a double portrait of musician and society that situates the music within three large issues: the struggle for African American civil rights, the growth of the popular music industry, and the emergence of the United States as a global power whose most effective cultural weapon was African American music. If Cohen has an overarching thesis, it may be that Ellington's personality and talents uniquely thrived in all three of these areas, despite the constant threats of appropriation, exploitation and even physical violence that hobbled or curtailed the careers of many of his contemporaries. Although Cohen's historical approach is not theory-driven, he skillfully lays out the cultural contradictions of Ellington's America in the ongoing clash between the tenacious structures of racism and the rapidly evolving music business, a paper empire erected on parallel pillars of copyright and organized crime. . . . Many older books about Ellington portrayed his later career as a decline and fall from the glories of the Ben Webster/Jimmie Blanton band of 1940 and 1941, and missed the story, which Cohen tells very well, of a rejuvenated creativity equal to Stravinsky's or Picasso's."

--David Schiff "Times Literary Supplement"

"The idea of a substantial book about a major musical figure that pays relatively little attention to his music might seem counterintuitive -- or, to put it less politely, pointless. That Duke Ellington's America succeeds as well as it does is a tribute both to its author and to its subject.--New York Times

--David Schiff "New York Times"

"Harvey G. Cohen's extensive research and creative scholarship has helped to bring us much closer to an understanding and appreciation of Ellington's life, his thinking, his passion and his overall mission. The book also reveals how Ellington was able to deal with a multitude of problems through the years and still remain productive...This fine book is a welcome addition to the ongoing study of Ellington, the man and musician. Highly recommended."--Kenny Burrell

--Kenny Burrell "New York Times"

"The book makes nuanced sense of the hard choices at every turn, in years when it often fell to Ellington to pioneer new audiences and new venues, and to insist on a level of dignity rarely accorded to African-American artists."--Geoffrey O'Brien, New York Review of Books

--Geoffrey O'Brien "New York Review of Books"
"Meticulously researched and elegantly written."--Geoffrey O'Brien "All about Jazz"
"Another door-stopper of a book that's worth writing about, and, even more so, reading. . . . The research achievement of the author, and his readability, are far too impressive not to merit wholesale recommendation."--Geoffrey O'Brien "Jazzwise"