WINNER OF SPECIAL JURY PRIZE AT 2021 FESTIVAL D'ANGOULÊME -- NAMED A BEST GRAPHIC NOVEL OF 2020 BY THE GUARDIAN
From "Britain's most loved comics artist" comes a superhero epic like no other--an ordinary man gains superpowers by donning women's clothing, saving London and maybe even himself.
August Crimp can fly, but only when he wears women's clothes. Soaring above a gorgeous, lush vista of London, he is Dragman, catching falling persons, lost souls, and the odd stranded cat. After he's rejected by the superhero establishment, where masked men chase endorsement deals rather than criminals, August quietly packs up his dress and cosmetics and retreats to normalcy -- a wife and son who know nothing of his exploits or inclinations.
When a technological innovation allows people to sell their souls, they do so in droves, turning empty, cruel, and hopeless, driven to throw themselves off planes. August is terrified of being outed, but feels compelled to bring back Dragman when Cherry, his young neighbor, begs him to save her parents. Can Dragman take down the forces behind this dreadful new black market? Can August embrace Dragman and step out of the shadows?
The debut graphic novel from British cartoon phenomenon Steven Appleby, Dragman
is at once a work of artistic brilliance, sly wit, and poignant humanity, a meditation on identity, morality, and desire, delivered with levity and grace.
Fans of Steven Appleby's brilliant cartoons know already of their unique energy; his first long-form graphic novel will surely bring him massed armies of new admirers. Funny, sweet, and emotionally true, it doesn't so much tiptoe on to fraught cultural territory as dance wildly across it. --The Guardian
"An intricately plotted epic starring a huge cast of memorable characters and a tender, illuminating meditation on identity. Imaginative and uncommonly moving
." --Library Journal
Fabulous! Only Steven Appleby could or would lob in such a profound statement of elevating empowerment and celebration
disguised as a superhero sub-plot. . . . . This is an astutely insightful comedy [with] the nimblest and most nubbly of lines. --Page 45