Double Agent: The Critic and Society (Revised)
Morris Dickstein
(Author)
21,000+ Reviews
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Description
Double Agent is a watershed in the recent revival of interest in the role of the public critic and intellectual who writes about culture, politics, and the arts for an intelligent general audience. Offering acute portraits of critics both famous and neglected, Dickstein traces the evolution of cultural criticism over the last century from Matthew Arnold to New Historicism. He examines the development of practical criticism, the rise and fall of literary journalism, and the growth of American Studies, and rereads the work of critics like Arnold, Walter Pater, I.A. Richards, Roland Barthes, Edmund Wilson, R.P. Blackmur, Lionel Trilling, Alfred Kazin, and George Orwell. In essays and books that are themselves works of literature, these writers made criticism central to the public sphere, balancing social and literary values, politic commitment and aesthetic judgment. Though marginalized or ignored by academic histories of criticism, their example has proved immensely valuable for younger critics eager to find a personal voice and reach a wider public. Dickstein concludes with a lively and provocative dialogue that weighs the claims of recent literary theory and the importance of renewing public culture.
Product Details
Price
$117.60
Publisher
Oxford University Press
Publish Date
September 05, 1996
Pages
244
Dimensions
5.74 X 9.04 X 0.73 inches | 0.77 pounds
Language
English
Type
Paperback
EAN/UPC
9780195111378
BISAC Categories:
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Morris Dickstein is best known for his book on the 1960s, Gates of Eden, which was nominated for a National Book Critics Circle Award and named one of the best books of the year by The New York Times Book Review. His essays and reviews have appeared frequently in journals ranging from the Times Book Review and the Times Literary Supplement to Critical Inquiry and Partisan Review. He teaches English and film at Queens College and at the Graduate Center of the City University of New York, where he coordinates the American Studies program.
Reviews
"[This book is] a sort of love letter to the critics closest to Dickstein's heart. It's a thoughtful book, and finally--unexpectedly--a moving one....The qualities he prizes in his gallery of critics--their respect for intellectual complexities, their energetic prose, their faith in the power of art to illuminate and transform our lives--are all present in his own work. His book deserves a place alongside those of the masters it commemorates."-- Chicago Tribune"Dickstein traces the evolution of an Anglo-American tradition of cultural criticism from Matthew Arnold through Lionel Trilling and the postwar New York intellectuals to its present state of decline in 'the professionalization of criticism' and 'its renunciation of a public language and a wider audience.'"--The Nation"An exhilarating exploration of what makes the best critical minds tick."--The New York Times