Don't Read Poetry: A Book about How to Read Poems
Stephanie Burt
(Author)
21,000+ Reviews
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Description
An award-winning poet offers a brilliant introduction to the joys--and challenges--of the genreIn Don't Read Poetry, award-winning poet and literary critic Stephanie Burt offers an accessible introduction to the seemingly daunting task of reading, understanding, and appreciating poetry. Burt dispels preconceptions about poetry and explains how poems speak to one another--and how they can speak to our lives. She shows readers how to find more poems once they have some poems they like, and how to connect the poetry of the past to the poetry of the present. Burt moves seamlessly from Shakespeare and other classics to the contemporary poetry circulated on Tumblr and Twitter. She challenges the assumptions that many of us make about "poetry," whether we think we like it or think we don't, in order to help us cherish--and distinguish among--individual poems.
A masterful guide to a sometimes confounding genre, Don't Read Poetry will instruct and delight ingénues and cognoscenti alike.
Product Details
Price
$30.00
$27.90
Publisher
Basic Books
Publish Date
May 21, 2019
Pages
320
Dimensions
5.8 X 8.6 X 1.1 inches | 0.9 pounds
Language
English
Type
Hardcover
EAN/UPC
9780465094509
BISAC Categories:
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About the Author
Stephanie Burt is a professor of English at Harvard University, and the recipient of a 2016 Guggenheim fellowship for poetry. Her work appears regularly in the New York Times Book Review, New Yorker, London Review of Books, and other journals. She has authored fourteen books of poetry and literary criticism, including Advice from the Lights and The Poem Is You. She lives in Massachusetts.
Reviews
"Don't Read Poetry is for readers hunting sharp, nimble thinking about culture, comprehension, and poems. Whether discussing an ancestral Hawaiian language, a canonical poet like Langston Hughes, or contemporary poets like Rodrigo Toscano and Jennifer Chang, Stephanie Burt manages to illuminate 'the difficult process of turning paired marks into words.' Don't read poetry, she suggests, read poems. This is a book for anyone who reads with curiosity, care and imagination."--Terrance Hayes, author of American Sonnets for My Past and Future Assassin
"When I began Stephanie Burt's Don't Read Poetry, I fully expected her to widen and deepen my appreciation of this art form. Burt is, after all, a masterful poet, teacher, and literary critic. What I didn't necessarily expect was that I'd have such a great time absorbing what she has to say. Whether you love poetry or resist it, you will enjoy this entertaining and enlightening book."--Wally Lamb
"For the past fifty years, poetry critics have battled over what poetry is, which poets mattered, and which didn't. Stephanie Burt says they had it wrong. Don't read poetry, this dedicated pluralist tells us, if by poetry you mean one thing. If however you want to read poems, and discover the manifold ways they can be -- and help readers to be -- good (for Burt's aesthetic vision is ultimately ethical), read this lucid, informed, and deeply humane book."--Langdon Hammer, author of James Merrill: Life and Art
"In this eloquent literary primer, Burt...contends with poetry's reputation for inaccessibility...[A] sweeping, insightful survey."--Publisher's Weekly
"Burt is well-suited to convince even the most skeptical readers that poems, indeed, should be read by everybody."--Booklist (starred review)
"[T]here are some empowering concepts and more than a few compelling arguments should you decide to approach Don't Read Poetry . . . with an open mind, a gracious ear, and a loving heart."--New York Journal of Books
"Charming...Burt is a delightful companion who reminds us that poems go down a lot better if we read them out loud and slowly...The whole idea of Don't Read Poetry is not only to celebrate the freedom and inventiveness in poems...but also to connect poems to a larger world of beauty."--The Christian Science Monitor
"[An] inviting guide to an art form often seen as abstruse... At once erudite and colloquial, the book resists prescriptive judgments, teems with surprising juxtapositions, and evokes the contagious enthusiasm of a cool teacher."--New Yorker
"When I began Stephanie Burt's Don't Read Poetry, I fully expected her to widen and deepen my appreciation of this art form. Burt is, after all, a masterful poet, teacher, and literary critic. What I didn't necessarily expect was that I'd have such a great time absorbing what she has to say. Whether you love poetry or resist it, you will enjoy this entertaining and enlightening book."--Wally Lamb
"For the past fifty years, poetry critics have battled over what poetry is, which poets mattered, and which didn't. Stephanie Burt says they had it wrong. Don't read poetry, this dedicated pluralist tells us, if by poetry you mean one thing. If however you want to read poems, and discover the manifold ways they can be -- and help readers to be -- good (for Burt's aesthetic vision is ultimately ethical), read this lucid, informed, and deeply humane book."--Langdon Hammer, author of James Merrill: Life and Art
"In this eloquent literary primer, Burt...contends with poetry's reputation for inaccessibility...[A] sweeping, insightful survey."--Publisher's Weekly
"Burt is well-suited to convince even the most skeptical readers that poems, indeed, should be read by everybody."--Booklist (starred review)
"[T]here are some empowering concepts and more than a few compelling arguments should you decide to approach Don't Read Poetry . . . with an open mind, a gracious ear, and a loving heart."--New York Journal of Books
"Charming...Burt is a delightful companion who reminds us that poems go down a lot better if we read them out loud and slowly...The whole idea of Don't Read Poetry is not only to celebrate the freedom and inventiveness in poems...but also to connect poems to a larger world of beauty."--The Christian Science Monitor
"[An] inviting guide to an art form often seen as abstruse... At once erudite and colloquial, the book resists prescriptive judgments, teems with surprising juxtapositions, and evokes the contagious enthusiasm of a cool teacher."--New Yorker
